Painter and art dealer.
Pietro Vallati
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
No known connections with slavery.
Abolition connections
No known connections with abolition.
National Gallery painting connections
Donor: presented in 1855: NG272. Sold in 1859: NG602.
Bibliography
History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
Checked and not found
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Item on publisher's website
C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://www.oxforddnb.com/
Checked and not found
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Item on publisher's website
J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://www.oxfordartonline.com/groveart/
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Item on publisher's website
UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
Checked and not found
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Item on publisher's website
Paintings previously owned by Pietro Vallati
This picture is a fragment of a larger painting for the spandrel of an arch (the triangular area beside the arch). There would have been another figure in a complementary pose on the other side of the arch. The painting consists of five separate pieces of canvas, which were probably originally gl...
Not on display
This arched panel was originally the top of a polyptych (a multi-panelled altarpiece) which Crivelli painted for the Franciscan church at Montefiore dell'Aso near Fermo in the Italian Marches.Two sad, child-like angels hold up Christ’s lifeless body, one nestling his head sorrowfully against Jesu...
Not on display