Banker, poet and collector.
National Gallery Trustee (1834–1855).
Samuel Rogers
1763 - 1855
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
No known connections with slavery.
Abolition connections
Author of the narrative poem The Voyage of Columbus (1809–12). Rogers was among a group of poets whose polemic ‘centred on a demand for the reform of the East India Company … and the campaign for the abolition of the slave trade’. (Nigel Leask, British Romantic Writers and the East: Anxieties of Empire, Cambridge, 2004, 25.)
Bibliography
R. Garnett and P. Baines, 'Rogers, Samue', in C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://doi.org/10.1093/ref:odnb/23997
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Item on publisher's website
History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
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Item on publisher's website
G. A. Malpass, 'Rogers, Samuel', in J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://doi.org/10.1093/gao/9781884446054.article.T072715
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Item on publisher's website
UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
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Paintings previously owned by Samuel Rogers
A patch of sunlight lights up the thatched roof of an old watermill and the white foam of the turbulent river passing. Allart van Everdingen has made little of the wheel that marks the cottage as a mill – he has concentrated on the mood created by the water and the colours of the surrounding land...
Not on display
A man travelling from Jerusalem to Jericho was attacked by thieves who stole his clothes and left him for dead. A priest and a Levite saw the injured man but both passed him by. A Samaritan bound the man’s wounds, put him on his own mule, and carried him to an inn, where he left money for the man...
The infant Christ throws his arms affectionately around his mother’s neck and smiles at us. But the Virgin Mary’s eyes are downcast, as though her thoughts are already on his future sacrifice.The painting probably dates from the early years of Raphael’s time in Rome. It is called the ‘Mackintosh...
Not on display
After Titian
This is a copy of Titian’s large canvas known as ‘La Gloria’ (The Glory) or The Trinity. Titian’s painting was commissioned by Emperor Charles V of Spain in 1551, and is now in the Prado, Madrid.The Emperor and Empress with their son Prince Philip and his sisters kneel in their burial shrouds bef...
Not on display
Probably by Benozzo Gozzoli
The Virgin’s sculptural presence – her voluminous draperies look as though carved from stone – is a moment of stillness in this little panel that rings with colour, pattern and gold details.Gozzoli, who trained as a goldsmith and also painted illuminated manuscripts, was a popular artist among th...
This is a fragment of a painting in fresco, a technique that involved painting directly onto fresh plaster. It has been repainted and only a layer of tin remains on the haloes, which may originally have been gilded.It formed part of an image showing the burial of Saint John the Baptist; here, two...
Not on display