Landowner.
Thomas Bulkeley Bulkeley-Owen
1790 - 1867
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
No known connections with slavery.
Abolition connections
No known connections with abolition.
National Gallery painting connections
Former owner: NG purchased from Bulkely Owen in 1837: NG13 and NG59.
Bibliography
History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
Checked and not found
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Item on publisher's website
C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://www.oxforddnb.com/
Checked and not found
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Item on publisher's website
J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://www.oxfordartonline.com/groveart/
Checked and not found
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Item on publisher's website
UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
Checked and not found
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Item on publisher's website
Paintings previously owned by Thomas Bulkeley Bulkeley-Owen
Moses stands on the left, his hand raised as he beckons people to gaze upon the bronze serpent coiled around the pole held by Eleazar, a priest. The scene is taken from the Old Testament: God had sent a plague of ‘fiery serpents’ to punish the Israelites for their sinfulness and lack of faith (Nu...
Not on display
This painting illustrates the belief that Christ was both human and divine: the embodiment of the ‘Two Trinities’. At the centre of the composition the Christ Child forms part of the Heavenly Trinity with the dove of the Holy Ghost and God the Father above, and part of the Earthly Trinity with hi...