Further reading
The Athenaeum, 15 February 1896, p. 223
A. Robaut, L’Oeuvre de Corot. Catalogue raisonné et illustré précédé de l’Histoire de Corot et de ses oeuvres par Étienne Moreau-Nélaton, ornée de dessins et croquis originaux du maître, 4 vols, Paris 1905, II, p. 116, no. 328
Sir C. Phillips, ‘National Gallery II - Sir Hugh Lane’s Pictures’, Daily Telegraph, 10 February 1917, p. 7
T. Martin Wood, ‘Modern French Pictures at the National Gallery’, The Studio, November 1917, pp. 53–9 (54)
J. Meier-Graefe, Corot, Berlin 1930, p. 48 and plate XXII; T. Bodkin, Sir Hugh Lane and his Pictures, Dublin 1932, plate XVIII, 1956 edn, plate XIX
L. Venturi, Peintres Modernes: Goya, Constable, David, Ingres, Delacroix, Corot, Daumier, Courbet, Paris 1941, pp. 146–7
R. Escholier, La Peinture Française. XIXe Siècle, Paris 1943, II, pp. 148–9
Martin Davies (revised by Cecil Gould), National Gallery Catalogues. French School: Early 19th Century, Impressionists, Post-Impressionists etc, London 1970, pp. 30–2
M-P. Fouchet, Corot, Paris 1975, p. 65; J. Leymarie, Corot, Geneva 1979, pp. 60–1
J. Selz, La Vie et l’Oeuvre de Camille Corot, Paris 1988, p. 106
V. Pomarède, M. Pantazzi and G. Tinterow, Jean-Baptiste Camille Corot (1796–1875), exh. cat., Paris/ Ottawa/New York, 1996–7, no. 67
R. White, J. Pilc and J. Kirby, ‘Analyses of Paint Media’, National Gallery Technical Bulletin, 19, 1998, pp. 79–94 (90)
A. Roy, ‘Barbizon Painters: Tradition and Innovation in Artists’ Materials’, Barbizon. Malerei der Natur – Natur der Malerei, eds A. Burmester, C. Heilmann and M.F. Zimmermann, Munich 1999, pp. 330–42 (333 and 340)
S. Herring, ‘The National Gallery and the collecting of Barbizon paintings in the early twentieth century’, Journal of the History of Collections, 13, no. 1, 2001, pp. 77–89 (85–6)
