Further reading
J. Rousseau, Camille Corot, Paris 1884, illustrated p. 27
A. Alexandre, F. Keppel and C.J. Holme, ‘Corot and Millet’, The Studio, special number, winter, 1902–3, C34
A. Robaut, L’Oeuvre de Corot. Catalogue raisonné et illustré précédé de l’Histoire de Corot et de ses oeuvres par Étienne Moreau-Nélaton, ornée de dessins et croquis originaux du maître, 4 vols, Paris 1905, II, p. 362, no. 1121
E.G. Halton, ‘The Collection of Mr Alexander Young. I, The Corots’, The Studio, XXXIX, November 1906, pp. 3–22 ( 9); [Anon] ‘The French School in the Nineteenth-Century’, Burlington Magazine, XIII, 1908, pp. 339–40
A. Scharf, Art and Photography, London 1968, p. 65
Martin Davies (revised by Cecil Gould), National Gallery Catalogues. French School: Early 19th Century, Impressionists, Post-Impressionists etc , London 1970, pp. 27–8
G. Bazin, Corot, Paris, 1942, pp. 53–4, 3rd edn, 1973, pp. 48–50
J. Mills and R.White, ‘Analyses of Paint Media’, National Gallery Technical Bulletin, 5, 1981, pp. 66–7
H. Preston, ‘Cross-Currents in French Nineteenth-century Painting’, Apollo, XCIII, 262, December 1983, p. 502
M.-J. Salmon, Vasques de Rome, Ombrages de Picardie, exh. cat., Musée départemental de l’Oise, Beauvais, 1987, pp. 80–2
U. Hoff, European Paintings before 1800 in the National Gallery of Victoria, 1995, p. 70; R.White, J. Pilc and J. Kirby, ‘Analyses of Paint Media’, National Gallery Technical Bulletin, 19, 1998, pp. 79–94 (81 and 91)
A. Roy, ‘Barbizon Painters: Tradition and Innovation in Artists’ Materials’, Barbizon. Malerei der Natur – Natur der Malerei, Im Auftrag der Bayerischen Staatsgemäldesammlungen, des Doerner-Institutes und des Zentralinstitutes für Kunstgeschichte, München, eds A. Burmester, C. Heilmann and M.F. Zimmermann, Munich 1999, pp. 330–42 (332)
S. Herring, ‘The National Gallery and the collecting of Barbizon paintings in the early twentieth century’, Journal of the History of Collections, 13 no. 1, 2001, pp. 77–89 (p. 84)
N. Michel, ‘Corot à Ville-d’Avray’, in V. Pomarède et al., Corot. Nature, Emotion, Souvenir, exh. cat., Museo Thyssen Bornemisza, Madrid, and Palazzo dei Diamanti, Ferrara, 2005–6, pp. 213–36 (220) and French translation, pp. 377–82 (378), Italian edn, pp. 185 and 194
A. Takahashi, V. Pomarède, M. Pantazzi et al., Corot. Souvenirs et variations, exh. cat., Tokyo and Kobe 2008, no. 68; V. Pomarède, ‘Corot à Reims’, in V. Pomarède, in collaboration with M. Pantazzi and A. Takahashi, De Corot à l’art moderne. Souvenirs et variations, exh. cat., Musée des Beaux-Arts de Reims, 2009, pp. 154–187 (177)
