Circle of the Master of Liesborn, 'Saint Dorothy', late 15th century
Fragments from an Altarpiece of the Virgin and Saints
These two panels showing Saints Dorothy and Margaret are fragments of a larger painting which probably showed the Virgin Mary and Christ Child seated in a garden surrounded by female saints. The other saints probably included Agnes and Catherine. The panels come from a chapel in Lippstadt in the region of Westphalia in western Germany.
There are several other panels in the National Gallery’s collection painted by the same anonymous master. He has been named after the altarpiece that he painted for the Benedictine abbey at Liesborn, fragments of which are also in the Gallery’s collection.
Circle of the Master of Liesborn
This is one of two fragments in the National Gallery’s collection of a larger work which showed the Virgin and Christ Child seated in a garden. It depicts Saint Dorothy, who lived in Caesarea (Kayseri in modern-day Turkey) in the fourth century.Saint Dorothy is usually shown, as here, carrying a...
Not on display
Circle of the Master of Liesborn
This is one of two fragments in the National Gallery’s collection of a larger work that showed the Virgin Mary and Christ Child seated in a garden. It shows Saint Margaret, who was from the town of Antioch (in modern-day Turkey). She wears a headdress of pearls, as her name means ‘pearl’ in Greek...
Not on display
Related paintings
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This fragment comes from a scene of Christ crucified which formed the central panel of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. The crown of thorns, placed on Christ’s head to mock him, has pierced his skin and blood is running down his face. The letters ‘I.N.R....
Not on display
This is a fragment of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. It comes from the central scene, which depicted the Crucifixion; a fragment showing Christ’s head is also in the National Gallery’s collection. It was common for Crucifixion scenes to include the Vir...
Not on display
This is a fragment from an altarpiece made for the high altar of the Benedictine abbey at Liesborn, and is one of three in our collection from the altarpiece’s central Crucifixion scene. The fluttering drapery at the top right is part of Christ’s loincloth, which situates this fragment to the rig...
Not on display
This is a fragment of a scene showing the Adoration of the Kings, which was part of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. Two of the three kings kneel before the Christ Child, who lies in the Virgin Mary’s lap on a white cloth. They had followed a star to fin...
Not on display
This panel comes from an altarpiece made for the high altar of the Benedictine abbey at Liesborn in the west of Germany, and was probably originally placed to the left of the main scene showing the Crucifixion. It shows the Archangel Gabriel appearing to the Virgin Mary to tell her that she will...
Not on display
This is one of the few surviving intact scenes which once formed part of an altarpiece made for the high altar of the Benedictine abbey at Liesborn in the west of Germany. This painting is likely to have originally appeared to the right of the main scene showing the Crucifixion.Shortly after birt...
Not on display
Circle of Master of Liesborn
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter is also in the National Gallery’s collection.This painting shows, from left to right, Saints Gregory, Maurice and Augustine. The gilded clasp that fastens Sa...
Not on display
Circle of the Master of Liesborn
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter, which shows Saints Gregory, Maurice and Augustine, is also in the National Gallery’s collection.Saints Ambrose, Exuperius and Jerome are shown here beneath...
Not on display
Circle of the Master of Liesborn
The Virgin Mary, who is being crowned with a wreath of roses by two angels, stands holding the infant Christ in her arms. A man wearing the black habit, or uniform, of a Benedictine monk kneels on the tiled floor at the Virgin’s feet, and holds a scroll inscribed in Latin with a prayer to her. He...
Not on display
Probably by the Master of Liesborn
This panel comes from the Benedictine abbey at Liesborn in Westphalia. The scene may have been inspired by the central panel of the altarpiece made by the same artist for the abbey’s high altar, fragments of which are also in the National Gallery’s collection.Its horizontal shape suggests that it...
Not on display
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