Circle of the Master of Liesborn, 'Saints Ambrose, Exuperius and Jerome', about 1465-90
About the work
Overview
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter, which shows Saints Gregory, Maurice and Augustine, is also in the National Gallery’s collection.
Saints Ambrose, Exuperius and Jerome are shown here beneath a vaulted Gothic ceiling, its structure is defined by red articulating ribs. It is probably intended to resemble a church interior. Saint Ambrose, Bishop of Milan, appears on the left in liturgical dress, including a mitre (hat) and a crosier which, as it resembles a shepherd’s crook, symbolises his role as shepherd of Christians. Saint Exuperius is shown in armour, a reference to his role in the Theban legion of the Roman army; its members all converted to Christianity in the fourth century. They were led by Saint Maurice, who appears in the centre of the opposite shutter. Saint Jerome stands with the lion that, according to legend, became his companion after he removed a thorn from its paw.
Key facts
Details
- Full title
- Saints Ambrose, Exuperius and Jerome
- Artist
- Circle of the Master of Liesborn
- Artist dates
- active second half of the 15th century
- Part of the series
- Two Shutters from an Altarpiece
- Date made
- about 1465-90
- Medium and support
- oil, originally on wood, transferred to canvas
- Dimensions
- 120 × 67.9 cm
- Acquisition credit
- Bought, 1854
- Inventory number
- NG254
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Susan Foister, ‘National Gallery Catalogues: The German Paintings before 1800’, London 2024; for further information, see the full catalogue entry.
Bibliography
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1841J.D. Passavant, 'Beiträge zur Kenntniß der alten Malerschulen in Deutschland vom 13ten bis in das 16te Jahrhundert', Kunstblatt, 1841
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1843C. Becker, 'Zur Geschichte der älteren Malerschulen in Westphalen und am Niederrhein', Kunstblatt, 1843
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1847E. Förster, 'Die Gemäldesammlung des Herrn Geh. Oberregierungsraths Krüger in Minden', Kunstblatt, XXVIII, 1847, pp. 21-3
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1848C.W.A. Krüger, Verzeichnis der Gemälde-Sammlung des Geheimen Regierungs-Rathes Krüger zu Minden, Minden 1848
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1853W. Lübke, Die mittelalterliche Kunst in Westfalen, Leipzig 1853
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1934A. Stange, Deutsche Malerei der Gotik, 11 vols, Munich 1934
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1951R. Fritz, 'Der Katalog der Gemäldesammlung Krüger zu Minden', Westfalen, Hefte für Geschichte, Kunst und Volkskunde, XXIX/25, 1951, pp. 87-97
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1952P. Pieper, Westfälische Maler der Spätgotik 1440-1490 (exh. cat. Landesmuseum für Kunst und Kulturgeschichte Münster Westfalen, 20 June - 30 September 1952), Münster 1952
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1954P. Pieper, 'Westfälische Maler der Spätgotik 1440-1490. Ergänzungen zum Katalog', Westfalen, Hefte für Geschichte, Kunst und Volkskunde, XXXII, 1954, pp. 75-103
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1959Levey, Michael, National Gallery Catalogues: The German Schools, London 1959
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1966T. Rensing, 'Bemerkungen zum Meister von Liesborn', in Der Liesborner Altar: Die Bilder der Nationalgalerie in London und des Landesmuseums in Münster, Münster 1966, pp. 22-54
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1967A. Stange, Der deutschen Tafelbilder vor Dürer. Kritisches Verzeichnis, Munich 1967
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1974W. Koenig, 'Anmerkungen und Ergänzungen zum Katalog der Sammlung Krüger', in Studien zum Meister von Liesborn unter besonderer Berücksichtigung der Entstehungsgeschichte des Liesborner Hochaltars und der Sammlung Krüger, Quellen und Forschungen zur Geschichte des Kreises Beckum, Beckum 1974, vol. 6
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1977J. Mills and R. White, 'Analyses of Paint Media', National Gallery Technical Bulletin, I, 1977, pp. 57-9
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1978D. Robertson, Sir Charles Eastlake and the Victorian Art World, Princeton 1978
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1986P. Pieper, Die deutschen, niederländischen und italienischen Tafelbilder bis um 1530, Münster 1986
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2004A. Priever, 'Anmerkungen zum Schicksal des Hochaltars und des Heilig-Kreuz-Altars der ehemaligen Klosterkirche Liesborn', Wallraf-Richartz-Jahrbuch, LXV, 2004, pp. 301-14
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2024S. Foister, National Gallery Catalogues: The German Paintings before 1800, 2 vols, London 2024
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
Images
About the series: Two Shutters from an Altarpiece

Overview
These two panels once formed the shutters of an altarpiece in the Benedictine abbey in Liesborn, a town in the north-western German region of Westphalia. Placed on either side of the centrepiece, the shutters would protect and conceal it when closed.
The artist’s identity is unknown, but he has been named after the altarpiece that he made for the high altar of the same church. Several fragments of the high altarpiece are in the National Gallery’s collection.