This painting was the left half of a decorative panel commissioned by Jean Schopfer, a writer who published under the pen name Claude Anet. In 1935, over 30 years after its completion, Vuillard cut the panel into two and reworked it; the other half, La Terrasse at Vasouy, The Lunch, is also in the National Gallery’s collection.
In 1901, both Schopfer and Vuillard stayed in a villa at Vasouy, along the coast from Honfleur in Normandy, which had been rented by their friends Lucy and Jos Hessel. Here, the visitors enjoy the villa’s lush garden: adults pause to talk on a meandering path while the two young Schopfer children play in the foreground, accompanied by their nurse. Just behind this trio stands Lucy Hessel, who was inserted into the painting when it was reworked.
This painting is included in a list of works with incomplete provenance from 1933–1945; for more information see Whereabouts of paintings 1933–1945.
Text extracted from the National Gallery’s Annual Report, ‘The National Gallery: January 1969 – December 1970’. Supplemented by Sarah Herring.
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
La Terrasse at Vasouy, The Garden and La Terrasse at Vasouy, The Lunch once formed a single decorative panel, commissioned by the dramatist Jean Schopfer in 1901 and installed in his Paris apartment on the Avenue Victor Hugo later that year. They show Jean and his wife at the time, Alice, relaxing with friends in a Normandy summer home.
When Jean and Alice divorced in 1903, he ended up taking Vuillard’s painting, and in 1910 it was installed in the Paris apartment he shared with his new wife, Clarisse Langlois Schopfer. A few years after Jean’s death in 1931, Clarisse asked Vuillard to divide the panel into two and rework some of the figures and the foliage, which he did throughout 1935.
