William Hogarth, 'Marriage A-la-Mode: 1, The Marriage Settlement', about 1743

Provenance

Additional information

Exhibition history

• 2019
  Hogarth: Place and Progress

  Sir John Soane's Museum

  9 October 2019 - 5 January 2020
• 2021
  Hogarth and Europe

  Tate Britain

  1 November 2021 - 20 March 2022
• 2023
  Hogarth’s Britons: Succession, Patriotism, and the 1745 Jacobite Rebellion

  Derby Museums and Art Gallery

  10 March 2023 - 4 June 2023

Bibliography

• 1742
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• 1746
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• 1766
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• 1781
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• 1791
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• 1792
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• 1796
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• 1797
  G.C. Lichtenberg, Ausführliche Erklärung der Hogarthischen Kupferstiche, mit verkleinerten aber vollstandingen Copien derselben von E. Riepenhausen, Göttingen 1797
• 1797
  J. Christie, A Catalogue of that Most Capital and Matchless Set of Originals of the Marriage a la Mode, the Chefs d'Oeuvres of the Immortal Hogarth, in the Most Perfract State of Preservation, London, 10 February 1797
• 1808
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• 1811
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• 1811
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• 1818
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• 1823
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• 1824
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• 1828
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• 1843
  W. Hazlitt, Criticisms on Art and Sketches of the Picture Galleries of England with Catalogues of the Principal Pictures, London 1843
• 1843
  W. Hazlitt, 'On Hogarth's Marriage A-la-Mode', in W. Hazlitt (ed.), Criticisms on Art, and Sketches of the Picture Galleries of England, London 1843, pp. 143-51
• 1854
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• 1868
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• 1877
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• 1882
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• 1930
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• 1947
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• 1948
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• 1948
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• 1949
  E. Croft-Murray and H. Phillips, 'The Whole Humours of a Masquerade', Country Life, 1949, pp. 672-5
• 1952
  H. Kurz, 'Italian Modes of Hogarth's Picture Series', Journal of the Warburg and Courtauld Institutes, XV, 1952, pp. 136-63
• 1953
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• 1953
  E.K. Waterhouse, Painting in Britain 1530-1790, London 1953
• 1955
  W. Hogarth, The Analysis of Beauty, ed. J. Burke, Oxford 1955
• 1959
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• 1961
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• 1964
  L. Namier, 'BECKFORD, William (1760-1844), of Fonthill, Wilts.', in History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, 1754-1790, https://www.historyofparliamentonline.org/volume/1754-1790/member/beckford-william-1760-1844
• 1970
  A.S. Wensinger and W.B. Coley (eds), Hogarth on High Life: The Marriage à la Mode Series from Georg Christoph Lichtenberg's Commentaries, trans. A.S. Wensinger and W.B. Coley, Middletown Conn 1970
• 1973
  D. Kunzle, The Early Comic Strip, Berkeley 1973
• 1978
  M. Webster, Hogarth, London 1978
• 1980
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• 1980
  C. Lamb, 'On the Genius and Character of Hogarth', in R. Park (ed.), Lamb as a Critic, London 1980, pp. 315-34
• 1982
  D. Bomford and A. Roy, 'Hogarth's "Marriage A-la-mode"', National Gallery Technical Bulletin, VI, 1982, pp. 42-68
• 1983
  R.L.S. Cowley, Marriage A-la-Mode: A Review of Hogarth's Narrative Art, Manchester 1983
• 1983
  P. Rogers (ed.), Jonathan Swift: The Complete Poems, New Haven 1983
• 1983
  L. Bertelsen, 'The Interior Structure of Hogarth's "Marriage A-la-mode"', Art History, VI/2, 1983, pp. 131-42
• 1984
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• 1985
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• 1986
  T. Castle, Masquerades and Civilisation: The Carnivalesque in Eighteenth-Century English Culture and Fashion, Stanford 1986
• 1987
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• 1987
  R. Simon, The Portrait in Britain and America: With a Biographical Dictionary of Portrait Painters 1680-1914, Oxford 1987
• 1988
  K. Arndt, William Hogarth: Der Kupferstich als moralische Schaubühne (exh. cat. Westfälisches Landesmuseum für Kunst und Kulturgeschichte, 4 September -1 November 1988; Museum Wilhelm Busch, 15 March - 17 May 1987), Stuttgart 1988
• 1989
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• 1990
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• 1990
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• 1991
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• 1992
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• 1992
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• 1992
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• 1993
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• 1993
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• 1993
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• 1993
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• 1993
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• 1994
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• 1994
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• 1995
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• 1995
  J. Simon, 'The Account Book of James Northcote', The Walpole Society, LVIII, 1996, pp. 21-125
• 1995
  P. De Voogd, 'Generation in William Hogarth's Marriage a-la-mode', in Les âges de la vie en Grande-Bretagne au XVIIIe siècle: Actes du colloque décembre 1990 et décembre 1991, Paris 1995, pp. 47-55
• 1995
  N. MacGregor, 'Les problèmes de la création d'un musée national au XVIIIe siècle en Angleterre', in Les Musées en Europe à la veille de l'ouverture du Louvre, Paris 1995, pp. 415-38
• 1996
  I. Hislop, 'Picture Choice: "Marriage A-la-mode" 1: The Marriage Contract', National Gallery News, 1996
• 1996
  P. Wardle, 'Een toilet kleed met kant: Kanttekeningen bij de textilia voor de toilettafel in de late zeventiende en achttiende eeuw', Bulletin van het Rijksmuseum, XLIV/1, 1996, pp. 27-36, 71-4
• 1996
  M.K. Lindberg, 'Dramatic Analogues in William Hogarth's Marriage A-la-Mode', in J. Moller (ed.), Hogarth in Context: Ten Essays and a Bibliography, Marburg 1996, pp. 72-86
• 1997
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• 1997
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• 1997
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• 1997
  Anon., 'Hogarth's "Marriage A-la-mode"', National Gallery News, 1997
• 1997
  J. Egerton, 'The Character of the Countess', National Gallery News, 1997
• 1997
  M. Postle, 'Hogarth's "Marriage A-la-mode", Scene III: A Re-Inspection of the Inspection', Apollo, CXLVI/429, 1997, pp. 38-9
• 1997
  R. Simon, 'Picture Choice: "Marriage A-la-mode" 4. The Toilette', National Gallery News, 1997
• 1997
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• 1997
  J. Egerton, Marriage A-la-Mode (exh. cat. The National Gallery, 15 October 1987 - 18 January 1988), London 1997
• 1998
  J. Egerton, The British School, London 1998
• 1998
  A. Ribeiro, 'Reading Dress in Hogarth's "Marriage A-la-mode"', Apollo, 1998, pp. 49-50
• 1998
  M. Dillmann (ed.), Marriage à-la-mode: Hogarth und seine deutschen Bewunderer (exh. cat. Altes Museum and Nationalgalerie, 18 December 1998 - 28 February 1999; Städelsches Kunstinstitut und Städtische Galerie, 25 March - 20 June 1999), Berlin 1998
• 1998
  C. Keisch, P.-K. Schuster and M. Wullen, Fontane und die bildende Kunst (exh. cat. Staatliche Museen zu Berlin, 4 September - 29 November 1998), Berlin 1998
• 1999
  C. Keisch, '"Nicht jeder darf in Worte fassen, was Hogarth zu malen wagen durfte": Marriage A-la-mode: Hogarth und seine deutschen Bewunderer', Museums Journal, XIII/1, 1999, pp. 58-61
• 2000
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• 2001

  C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001

• 2001
  B. Fort and A. Rosenthal (eds), The Other Hogarth: Aesthetics of Difference, Princeton 2001
• 2001
  W. Busch, 'Hogarth's Marriage-a-la-Mode: The Dialectic between Precision and Ambiguity', in D. Bindman (ed.), Hogarth: Representing Nature's Machines, Manchester 2001, pp. 195-218
• 2001
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• 2003
  J. Egerton, 'Hogarth's "Marriage A-la-mode" and the Copyist Adam Callander', The Burlington Magazine, CXLV/1199, 2003, pp. 88-91
• 2006
  R. Simon, 'Un Rosbif À Paris: Hogarth's Visit to Paris in 1743', British Art Journal, VII/2, 2006, pp. 24-33
• 2006
  M. Hallett (ed.), Hogarth (exh. cat. Musée du Louvre, 18 October 2006 - 7 January 2007; Tate Britain, 7 February - 29 April 2007; La Caixa, 29 May - 26 August 2007), Paris 2006

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