Florentine art in the later 14th century was dominated by the work of Andrea di Cione (known as Orcagna), who was active as painter, sculptor and architect from about 1343. He was assisted by his brothers, Matteo (a stone-mason), Nardo and Jacopo.
Many of Jacopo's works, including frescoes at Volterra and the altarpiece of the 'Coronation of the Virgin' in the Collection, were undertaken in collaboration with the Florentine painter Niccolò di Pietro Gerini, who probably designed the complex overall structure of the Coronation altarpiece. Jacopo di Cione was registered with the Florentine Physicians' Guild, to which painters belonged, in 1369 and apparently took over the running of the family workshop after Andrea's death.
Although the 'Coronation of the Virgin' shows evidence of workshop participation, sections of it demonstrate that Jacopo was inventive both as a story-teller and in his use of novel pigment mixtures and colour relationships.
Jacopo di Cione
documented 1365; died 1398 -1400
Paintings by Jacopo di Cione
(Showing 6 of 20 works)
This picture is unusual in Italian painting of this period in showing so much detail from the Gospel accounts of Christ’s crucifixion in one relatively small panel. Such images were usually reserved for large wall paintings. Christ is shown on the Cross between the two thieves who were crucified...
Jacopo di Cione and workshop
The saints arranged here neatly in rows are looking towards the central panel of the complex, four-tiered altarpiece that this picture comes from, which shows Christ crowning the Virgin Mary. This scene is mirrored on a panel on the other side of the central image. Together, these three panels to...
Not on display
Jacopo di Cione and workshop
The saints arranged neatly in rows look towards the central panel – which shows Christ crowning the Virgin Mary – of the four-tiered altarpiece that this picture comes from. A panel on the other side of the central image mirrors the scene here. Together, these three panels formed the main level o...
Not on display
Jacopo di Cione and workshop
At Pentecost, after Christ’s death, his disciples were imbued with the Holy Ghost, shown here as a dove. Tongues of fire appeared on their heads and they were able to speak multiple languages.The disciples are seated in a circle in the upper storey of a house, with the Virgin Mary and Saint Peter...
Not on display
Jacopo di Cione and workshop
This is one of two panels, almost mirror images of each other, that flank either side of the central and uppermost panel of the large altarpiece made for the church of San Pier Maggiore, Florence.Gathered together against a completely gold backdrop representing heaven are groups of angelic beings...
Not on display
Jacopo di Cione and workshop
This is one of two panels, almost mirror images of one another, that flank either side of the central and uppermost panel of the large altarpiece made for the church of San Pier Maggiore, Florence.Gathered together against a completely gold backdrop representing heaven are groups of angelic being...
Not on display
Jacopo di Cione and workshop
This panel is the second in a series of scenes of the life of Christ, part of a multi-panelled altarpiece made for the church of San Pier Maggiore, Florence. This sequence ran above the altarpiece’s main tier, which showed the coronation of the Virgin surrounded by adoring saints.We see three kin...
Not on display
Jacopo di Cione and workshop
This panel, which comes from an altarpiece made for the church of San Pier Maggiore in Florence, belongs to a sequence of narrative scenes showing events from Christ’s birth, the Resurrection and Ascension. These sat above the three panels of the main tier showing the coronation of the Virgin sur...
Not on display
Jacopo di Cione and workshop
This is the central panel of a large altarpiece made for the church of San Pier Maggiore, Florence. Christ crowns the Virgin, after her body and soul have been taken up to heaven. This was an important moment: it established the Virgin’s role as an intercessor to whom believers could address thei...
Not on display
Jacopo di Cione and workshop
This panel was the first in a series showing scenes from Christ’s life, the Resurrection and his ascension to heaven and was part of a four-tiered altarpiece made for the Florentine church of San Pier Maggiore. These panels sat above the main tier of images showing the heavenly coronation of the...
Not on display
Jacopo di Cione and workshop
The Roman soldiers who have been posted to guard Christ’s tomb from grave robbers have fallen asleep. Christ has risen from his grave and is shown above his tomb holding a white flag with a red cross, a symbol of the Resurrection. The lid of the tomb is still closed, emphasising the miracle of th...
Not on display
Jacopo di Cione and workshop
This panel comes from an altarpiece made for the church of San Pier Maggiore in Florence, and belongs to a sequence of narrative scenes showing events from Christ’s birth, the Resurrection and his ascension to heaven. They appeared above the three panels of the main tier, which show the coronatio...
Not on display
Jacopo di Cione and workshop
This was once the central and uppermost part of a multi-panelled altarpiece, made for the church of San Pier Maggiore in Florence. Although it would have been displayed very high, right at the top of this large altarpiece, the limited colours, bold shapes and simple design mean it would have been...
Not on display
Probably by Jacopo di Cione
This small picture shows Jesus Christ meeting Mary Magdalene after his resurrection. Mary can be identified by her red robes and long blonde hair. She had gone to Jesus‘ tomb to anoint his body but found it empty. When Jesus appeared, Mary tried to touch him, but he said ’Touch me not; for I am n...
Not on display
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