Giordano was the leading Neapolitan painter of the later 17th century. He was born in Naples and was trained byRibera. He was known as Fa Presto ('does it quickly') because of his speed of painting. His work influenced developments in 18th century art in Naples and elsewhere in Italy.
His style was formed by his experience of Neapolitan art (dominated by the work of Caravaggio), and by his knowledge of the leading Roman painters of the early 17th century notably Annibale Carracci, Pietro da Cortona, and the great Venetian artists of the 16th century.
This style was well adapted to express the drama and pathos of religious and mythological subjects in large-scale canvasses and frescoes, such as the 'Apotheosis of the Medici', Palazzo Medici-Riccardi, Florence. Giordano was active in Rome, Venice (1667), Florence (1680-2) and Madrid (1692-1702), as well as in Naples.
Luca Giordano
1634 - 1705
Paintings by Luca Giordano
(Showing 6 of 15 works)
The title of this painting originates from the idea that it portrays Diego Velázquez at the Spanish court, surrounded by royal personages and prominent humanists. The main figures in Velázquez’s Las Meninas (Prado Museum, Madrid) – including Velázquez himself and the young Spanish princess Margar...
Not on display
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. The overall theme of these highly elaborate, showpiece frescoes is the progress of mankind by means of Wisdom and Virtue....
Not on display
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery’s collection, and this one represents one of the four Cardinal Virtues. First identifie...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. First identif...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–5. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. Fi...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. First identif...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery’s collection, and this one corresponds to the group in the centre of the ceiling of the...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. This scene corresponds to that painted on one of the two short walls, above the entrance to the grand Galleria.It shows Mi...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. The overall theme of these highly elaborate, showpiece frescoes is the progress of mankind by means of Wisdom and Virtue.T...
Not on display
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. The overall theme of these highly elaborate frescoes is the progress of mankind by means of Wisdom and Virtue.This scene c...
Not on display
Perseus and Andromeda’s wedding feast has been violently interrupted by Phineus, to whom Andromeda was formerly betrothed. Giordano has illustrated the dramatic moment when Phineus and his followers attack Perseus. Heavily outnumbered, Perseus has unveiled the severed head of the gorgon Medusa, w...
This is a preparatory sketch for one of a series of eight frescoes that Giordano painted on the walls just below the dome of the church of San Antonio de los Alemanes in Madrid. The frescoes depict miracles performed by Saint Anthony, and this sketch represents one of the stranger episodes in his...
Not on display
This modello, or detailed oil study, is one of a group of twelve that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–5. This scene corresponds to that painted on one of the two short ends of the grand Galleria, in which Giordano presents a...
This painting was made as a preliminary study for an altarpiece for S. Spirito dei Napoletani in Rome, where resident and visiting Neapolitans worshipped. The altarpiece was intended for a chapel dedicated to Saint Januarius, patron saint of Naples, who was martyred along with some of his followe...
Not on display
Style of Luca Giordano
This is a scene from a story in the Old Testament. The naked woman is Bathsheba. She has just finished bathing, unaware that she has been spotted by King David, who is standing on the roof of his palace at the top right of the picture. According to the Bible, David was so besotted with Bathsheba’...
Not on display
You've viewed 6 of 15 paintings