Adolphe Monticelli, 'Subject Composition', probably 1870-86
About the work
Overview
Four women dressed in colourful Renaissance-style costumes are shown standing below what may be a vine. On the reverse of the panel is another image of a standing woman. The exact subject of this picture has not been identified. This is not surprising, since in Monticelli’s late career his technique had evolved to the point where his subject matter was subsidiary to colour and surface texture.
Comparison with other works executed by Monticelli between 1877 and 1880, such as Subject Composition, which is also in the National Gallery’s collection, allows us to date the picture to the late 1870s. Like the latter picture, this one is very thickly painted: up to five layers of paint can be detected, and few areas of the panel are left uncovered.
Key facts
Details
- Full title
- Subject Composition
- Artist
- Adolphe Monticelli
- Artist dates
- 1824 - 1886
- Date made
- probably 1870-86
- Medium and support
- oil on wood
- Dimensions
- 19.1 × 42.5 cm
- Inscription summary
- Signed
- Acquisition credit
- Presented as part of the 'Harry Wearne Collection of Twelve Paintings by Monticelli' to the Tate Gallery, 1939; transferred, 1956
- Inventory number
- NG5010
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, with additions and some revisions by Cecil Gould, ‘National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists, etc.’, London 1970; for further information, see the full catalogue entry.
Bibliography
-
1957Martin Davies, National Gallery Catalogues: French School, 2nd edn (revised), London 1957
-
1970Davies, Martin, and Cecil Gould, National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists etc., London 1970
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.