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Adolphe Monticelli, 'Sunrise', about 1882-4

About the work

A bright yellow sun rises in the centre of the picture, beside a tree. Its vibrant colour stands out against the rest of the composition, which is darker in tone than its companion piece, Sunset, also in the National Gallery’s collection.

Both Cezanne and Van Gogh were admirers of Monticelli’s use of impasto (thickly applied paint), and the directional brushstrokes in his later work. This painting, which is typical of Monticelli’s late style, appears to have been painted outdoors. Cezanne and Monticelli were very good friends during the 1880s, and they often used to go off together to paint in the open air. It was perhaps during one of these outdoor sessions that Monticelli painted Sunrise, which is usually dated to about 1882–4.

Key facts

Full title
Sunrise
Artist
Adolphe Monticelli
Artist dates
1824 - 1886
Date made
about 1882-4
Medium and support
oil on wood
Dimensions
27.9 × 41.3 cm
Inscription summary
Signed
Acquisition credit
Presented as part of the 'Harry Wearne Collection of Twelve Paintings by Monticelli' to the Tate Gallery, 1939; transferred, 1956
Inventory number
NG5007
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

More works by Adolphe Monticelli

(Showing 6 of 12 works)
A Vase of Wild Flowers
A Vase of Wild Flowers
Adolphe Monticelli
A bunch of flowers in a ceramic vase is displayed on a table. The tablecloth is decorated with flowers and blue stripes that help create a sense of recession into depth.Like most of Monticelli’s works, this picture is painted on a wood panel, much of which is left visible. Thick paint and blobs...
Not on display
Fountain in a Park
Fountain in a Park
Adolphe Monticelli
A number of costumed figures on horseback and on foot, distributed in different groups in the foreground, are seen beside a fountain near a forest. On the left, four women wearing long dresses seem to be busy chatting and observing the two horsemen next to them. On the right-hand side of the pain...
Not on display
Meeting Place of the Hunt
Meeting Place of the Hunt
Adolphe Monticelli
A number of grandly costumed figures are seen beside a fountain in an imaginary garden on the edge of a forest. Two men on horseback coming from the left are approaching a group of women standing in the centre but moved slightly to background. On the right, three other women and a dog are seen in...
Not on display
Still Life: Fruit
Still Life: Fruit
Adolphe Monticelli
A wine glass, a flask-shaped carafe, a knife and a plate of fruit are shown on a table, set against a flat dark background. The table is covered by a cloth decorated with flowers and blue stripes that help create a sense of recession into depth.Most of Monticelli’s still life paintings were made...
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Still Life: Oysters, Fish
Still Life: Oysters, Fish
Adolphe Monticelli
A drinking glass, a vase, a plate of oysters, some small fish – probably sardines – and a half-peeled lemon lie on a table against a flat dark background. The highly patterned tablecloth is also present in the artist’s Still Life: Fruit and A Vase of Wild Flowers (both in the National Gallery), m...
Not on display
Subject Composition
Subject Composition
Adolphe Monticelli
Four women dressed in colourful Renaissance-style costumes are shown standing below what may be a vine. On the reverse of the panel is another image of a standing woman. The exact subject of this picture has not been identified. This is not surprising, since in Monticelli’s late career his techni...
Not on display
Subject Composition
Subject Composition
Adolphe Monticelli
Two standing women and a seated dog are seen in what may be a park. The picture perfectly summarises the achievements of the new technique that Monticelli had developed by the mid-1870s. He was applying his paint thickly, varying the strokes in both size and direction, and he also enriched his co...
Not on display
Subject Composition
Subject Composition
Adolphe Monticelli
During his stay in Paris in the 1860s Monticelli began to paint fêtes galantes. This term derives from the pictures depicting elegantly dressed men and women, generally placed in a parkland setting and engaged in conversation, that became popular in eighteenth-century France, most often associate...
Not on display
Sunset
Sunset
Adolphe Monticelli
The sun sets roughly in the centre of the picture, behind two tree trunks. The thick yellow paint expands from the sky to the foreground, and Monticelli has applied it using short, directional brushstrokes which allow him better to convey the light. Portions of the wooden panel used as a support...
Not on display
The Hayfield
The Hayfield
Adolphe Monticelli
Two peasant women and a child stand on the left, and black and white cart horses on the right. In the background two wagons are fully loaded with hay, and a dog perches on top of the one in the centre. The skyline of a village is shown in the distance.Monticelli made a number of paintings of peas...
On display elsewhere
Conversation Piece
Conversation Piece
Imitator of Adolphe Monticelli
The specific subject of this picture has not been identified. Four figures that seem to be dressed in costumes of the era of Henry IV, around 1600, are shown busy in conversation.Although the picture is signed at the bottom left corner and it is the type of painting favoured by Monticelli, its au...
Not on display
Torchlight Procession
Torchlight Procession
Imitator of Adolphe Monticelli
Monticelli painted many imaginary scenes of costumed figures throughout his career. Here, a dozen characters are shown in colourful outfits, probably during a torchlight procession. The central figure in white appears to be dressed as Pulcinella, a character from Commedia dell'Arte plays. This su...
Not on display
You've viewed 6 of 12 works