After Correggio, 'Christ presented to the People (Ecce Homo)', 16th century
About the work
Overview
Christ, bound and crowned with thorns, is condemned to be crucified by Pontius Pilate. ‘Ecce Homo’ (‘Behold the man’) were the words used by Pilate when he presented Christ to the people before the Crucifixion (John 19: 2–5). Pilate, wearing a turban, raises his hand to indicate that he is speaking. The Virgin Mary swoons and is supported by Saint John the Evangelist. The soldier on the right may be Longinus, the Roman centurion who recognised Christ’s divinity at the Crucifixion. This is an old copy of the original Ecce Homo by Correggio, also in the National Gallery’s collection.
Key facts
Details
- Full title
- Christ presented to the People (Ecce Homo)
- Artist
- After Correggio
- Artist dates
- active 1494; died 1534
- Date made
- 16th century
- Medium and support
- oil on canvas
- Dimensions
- 100.3 × 78.7 cm
- Acquisition credit
- Bequeathed by the Revd William Holwell Carr, 1831
- Inventory number
- NG96
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Cecil Gould, ‘National Gallery Catalogues: The Sixteenth Century Italian Schools’, London 1987; for further information, see the full catalogue entry.
Bibliography
-
1962Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools (excluding the Venetian), London 1962
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1975C. Gould, Delaroche and Gautier: Gautier's Views on the 'Execution of Lady Jane Grey' and on other Compositions by Delaroche, London 1975
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1976C. Gould, The Paintings of Correggio, London 1976
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1987Gould, Cecil, National Gallery Catalogues: The Sixteenth Century Italian Schools, London 1987
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.