Antonio Allegri, called Correggio (from his native town near Parma), was the leading Emilian painter of the early 16th century and one of the greatest Italian artists of the Renaissance. A pioneer of illusionistic fresco decoration, he also painted many influential altarpieces and smaller scale religious paintings, as well as a small number of mythological scenes. He was a major influence on Parmigianino. Correggio is chiefly famous for the dome frescoes in S. Giovanni Evangelista and the Cathedral of Parma, and a series of major altarpieces.
Correggio was probably trained by the minor artist Francesco Bianchi Ferrari. He was later influenced by Northern European prints, and by Mantegna and Costa, and his work was subsequently greatly affected by Leonardo, who had been active in Milan, and by Venetian painting. It seems likely, though there is no proof, that Correggio visited Rome, possibly about 1518.
Correggio
active 1494; died 1534
Paintings by Correggio
(Showing 6 of 12 works)
Christ, bound and crowned with thorns, is condemned to be crucified by Pontius Pilate. ‘Ecce Homo’ (‘Behold the man’) were the words used by Pilate when he presented Christ to the people before the Crucifixion (John 19: 2–5). Pilate, wearing a turban, raises his hand to indicate that he is speaki...
Christ kneels before his mother to ask for her blessing as he prepares to leave and follow his destiny. He is robed in white against the blueish landscape, his pose conveying a sense of delicacy and stillness. The Virgin Mary swoons, her face and hands drained of colour – she knows that her son i...
This is a fresco fragment from Correggio’s Coronation of the Virgin, which he painted in the apse of the church of S. Giovanni Evangelista in Parma. The fresco depicted Christ crowning the Virgin Mary in heaven, surrounded by the evangelists, doctors of the church and infant angels. Christ and th...
Not on display
This is a fresco fragment from Correggio’s Coronation of the Virgin, which he painted in the apse of the church of S. Giovanni Evangelista in Parma. The fresco depicted Christ crowning the Virgin in heaven, surrounded by the evangelists and doctors of the church, and little angels known in Italia...
Not on display
This is a fresco fragment from Correggio’s Coronation of the Virgin, which he painted in the apse of the church of S. Giovanni Evangelista in Parma, Italy. The fresco depicted Christ crowning the Virgin in heaven surrounded by the evangelists, doctors of the church and infant angels. Christ and...
Not on display
The Virgin Mary sits under a tree in a simple gown of faded rose, her work basket with its iron shears and ball of grey wool at her side. She is trying a grey jacket she has just made on the Christ Child, which may be the seamless coat that legend claims grew with him and for which the soldiers c...
Not on display
A young family enjoys a tender moment in a leafy glade. Venus, goddess of love, holds her son Cupid’s bow as his father Mercury, god of communication and wit, teaches him to read. Mercury looks down fondly at his child but Venus gazes dreamily towards us and smiles. Unusually, Venus is shown with...
Not on display
Probably by Correggio
Mary Magdalene leans on a large book and holds the pot of ointment with which she anointed Christ’s feet. According to legend, she retreated into the wilderness of Provence and lived there alone, unreachable by man, and was brought bread by angels who sang to her. In penitence for her former lif...
Not on display
After Correggio
Christ, bound and crowned with thorns, is condemned to be crucified by Pontius Pilate. ‘Ecce Homo’ (‘Behold the man’) were the words used by Pilate when he presented Christ to the people before the Crucifixion (John 19: 2–5). Pilate, wearing a turban, raises his hand to indicate that he is speaki...
Not on display
After Correggio
This painting on canvas, together with another Group of Heads, is a copy of part of Correggio’s destroyed fresco, The Coronation of the Virgin, which was painted in the apse of S. Giovanni Evangelista in Parma. A number of fragments of Correggio’s original fresco are also in the National Gallery’...
Not on display
After Correggio
This painting on canvas, together with another Group of Heads, is a copy of part of Correggio’s destroyed fresco, The Coronation of the Virgin, which was painted in the apse of S. Giovanni Evangelista in Parma. A number of fragments of Correggio’s original fresco depicting the heads of infant ang...
Not on display
After Correggio
This painting is an early copy of one of the most celebrated of Correggio’s small religious paintings. For a long time it was regarded as Correggio’s genuine version, even after the arrival in London of the original from the Spanish Royal Collection (now in Apsley House, London). The Apsley House...
Not on display
You've viewed 6 of 12 paintings