After Salvator Rosa, 'The Philosophers' Wood', after 1645
About the work
Overview
This is a copy of a signed work by Salvator Rosa of about 1645 (now in the Pitti Palace, Florence). It depicts an episode from the life of Diogenes, the ancient Greek philosopher who wanted to be free of all earthly attachments. Upon seeing a boy using his hands to drink from a stream, Diogenes threw away his bowl, his last remaining possession. The philosopher, dressed in blue, appears in the centre of this work, clutching his bowl in his right hand.
During the 1640s, Rosa worked in Florence. He wanted to be seen as a painter of philosophical subjects, but this tranquil scene with its exquisitely painted details, like the glowing light on the horizon that throws the figures and trees into darkness, shows his immense talent for landscape painting. The towering mountains in the distance and silhouetted branches in the foreground would become staple characteristics of his work.
Key facts
Details
- Full title
- The Philosophers' Wood
- Artist
- After Salvator Rosa
- Artist dates
- 1615 - 1673
- Date made
- after 1645
- Medium and support
- oil on canvas
- Dimensions
- 148.3 × 220.5 cm
- Acquisition credit
- Bequeathed by Princess Sophia Matilda, 1845
- Inventory number
- NG1892
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Michael Levey, ‘National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1986Levey, Michael, National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.