Style of Salvator Rosa, 'A Coastal Scene', probably 18th century
About the work
Overview
This picture, inspired by the landscapes of Salvator Rosa, was probably painted by an Italian artist working during the eighteenth century. A rock in the foreground to the right of the figures bears a prominent ‘SR’ monogram – a ruse to encourage potential buyers to believe that the painting was a genuine Rosa.
We look down a gentle incline towards a calm lake. The buildings dotted around it are made small by the steeply sloped mountain that towers above them, emphasising man’s fragility in the face of nature’s grandeur and power. In the foreground peasants rest and cattle gather at the water’s edge.
The scene is filled with a golden Italianate light, though the landscape itself is almost certainly fictitious. The broken and silhouetted branches growing out of the rocky outcrop on the left are typical of Rosa’s landscapes, and were likely included to emulate his style.
Key facts
Details
- Full title
- A Coastal Scene
- Artist
- Style of Salvator Rosa
- Artist dates
- 1615 - 1673
- Date made
- probably 18th century
- Medium and support
- oil on canvas
- Dimensions
- 88.9 × 118.8 cm
- Inscription summary
- Signed
- Acquisition credit
- Wynn Ellis Bequest, 1876
- Inventory number
- NG935
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Michael Levey, ‘National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1986Levey, Michael, National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.