-
1815
R. Smirke, A Catalogue Raisonné of the Pictures Now Exhibiting at the British Institution, London 1815
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1830
J. Smith, A Catalogue Raisonné of the Works of the Most Eminent Dutch, Flemish, and French Painters: In Which is Included a Short Biographical Notice of the Artists, with a Copious Description of Their Principal Pictures […], vol. 2, London 1830
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1854
G.F. Waagen, Treasures of Art in Great Britain: Being and Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss. […], vol. 2, trans. E. Eastlake, London 1854
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1857
W. Bürger, Trésors d'art exposés à Manchester en 1857 et provenant des collections royales, des collections publiques et des collections particulières de la Grande Bretagne par W. Burger, Paris 1857
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1877
F.G. Stephens, On the Pictures at Cobham Hall: An Address Delivered in the Picture Gallery, July 27th, 1876, London 1877
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1882
J. Guiffrey, Antoine van Dyck: Sa vie et son oeuvre, Paris 1882
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1887
'The Grosvenor Exhibition (Third and Concluding Notice)', The Athenaeum, 1887
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1887
C.S. Robertson, 'Cobham Hall: Inventory of Furniture and Pictures in 1672', Archaeologia Cantiana, XVII, 1887, pp. 392-408
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1899
C. Phillips, 'Van Dyck's Works at the Academy', Daily Telegraph, II, 1899
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1900
L.H. Cust, Anthony van Dyck: An Historical Study of his Life and Works, London 1900
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1900
M. Rooses, Fifty Masterpieces of Anthony van Dyck in Photogravure, trans. F. Knowles, London 1900
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1900
E. Law, 'The van Dyck Exhibition at the Royal Academy, II', Magazine of Art, XXIV, 1900, pp. 200‑3
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1900
C. Phillips, 'Van Dyck at Burlington House', Art Journal, 1900
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1909
E. Schaeffer, Van Dyck: Des Meisters Gemälde, Stuttgart 1909
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1922
C. Holmes, 'Georges and Francis Villiers', The Burlington Magazine, XL, 1922, pp. 54-6
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1930
A.J.H. Cornette, La peinture à l'exposition d'art flamand à Anvers (exh. cat. Koninklijk Museum voor Schone Kunsten, 1930), Brussels 1930
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1931
G. Glück, Van Dyck, des Meisters Gemälde, Stuttgart 1931
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1932
M.A. Cornette, Trésor de l'art Flamand du Moyen Age au XVIIIme siècle: Mémorial de l'exposition d'art Flamend ancient à Anvers 1930, par un groupe de spécialiste, Paris 1932
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1937
F. van den Wijngaert, Anthony Van Dyck, Antwerp 1937
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1937
C.R. Cammell, 'A Misnamed Portrait Group at the National Gallery', The Connoisseur, 1937, pp. 202ff
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1970
G. Martin, The Flemish School, circa 1600-circa 1900, London 1970
-
1974
R.R. Wark, 'A Note on Gainsborough and van Dyck', Museum Monographs, III, 1974, pp. 45‑53
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1982
O. Millar, Van Dyck in England, London 1982-1983
-
1982
C. Brown, Van Dyck, Oxford 1982
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1987
O. Millar, 'Sir Anthony van Dyck's "Double portrait of Lord John and Lord"', Sotheby's Art at Auction, 1988,
-
1988
E. Larsen, The Paintings of Anthony van Dyck, Freren 1988
-
1988
G. Waterfield et al., A Nest of Nightingales: Thomas Gainsborough: The Linley Sisters (exh. cat. Dulwich Picture Gallery, 21 September - 30 December 1988), London 1988
-
1988
O. Millar, 'Sir Anthony Van Dyck's Double Portrait of Lord John and Lord Bernard Stuart', in S. Liddell (ed.), Sotheby's Art at Auction 1987-88, London 1988
-
1989
National Gallery, The National Gallery Report: January 1988- March 1989, London 1989
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1990
S.J. Barnes, A.K. Wheelock and J. Held, Anthony Van Dyck, New York 1990-1991
-
1992
G. Beard, The Complete Gentleman: Five Centuries of Aristocratic Life, New York 1992
-
1994
M. Rogers, 'Van Dyck's Portrait of Lord George Stuart, Seigneur d'Aubigny, and Some Related Works', in S.J. Barnes and A.K. Wheelock (eds), <i>Van Dyck 350</i>, Washington 1994, pp. 263-78
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1994
B. Zuur, 'Art and Status in the Dutch Republic', in Faces of the Golden Age: Seventeenth-Century Dutch Portraits, The Hague 1994
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1995
R. White and J. Pilc, 'Analyses of Paint Media', National Gallery Technical Bulletin, XVI, 1995, pp. 85-95
-
1999
H. Vlieghe and C. Brown, Van Dyck 1599-1641, Antwerp and London 1999
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1999
E.E.S. Gordenker, 'The Rhetoric of Dress in Seventeenth-Century Dutch and Flemish Portraiture', Journal of the Walters Art Gallery, LVII, 1999, pp. 87-104
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1999
A. Roy, 'The National Gallery van Dycks: Technique and Development', National Gallery Technical Bulletin, XX, 1999, pp. 50‑83
-
1999
R. White, 'Van Dyck's Paint Medium', National Gallery Technical Bulletin, XX, 1999, pp. 84-8
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2001
E.E. Gordenker, Van Dyck (1599-1641) and the Representation of Dress in the Seventeenth-Century Portraiture, Turnhout 2001
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2001
E. Chaney and G. Worsdale, The Stuart Portrait: Status and Legacy (exh. cat., Southampton Art Gallery), Southampton 2001
-
2004
H. Vey et al., Van Dyck: A Complete Catalogue of the Paintings, New Haven 2004
-
2007
M. Baur-Callwey, Die Differenzierung des Gemeinsamen: Männliche Doppelporträts in England von Hans Holbein d. J. bis Joshua Reynolds, Munich 2007
-
2009
K. Hearn (ed.), Van Dyck & Britain (exh. cat., Tate Britain, London), London 2009
-
2010
C. Whitfield and E. Clark, Caravaggio's Friends & Foes, London 2010
-
2016
S. Alsteens and A. Eaker, Van Dyck: The Anatomy of Portraiture, New Haven and London 2016
-
2016
A. Robbins, Painters' Paintings: From Freud to Van Dyck (exh. cat., The National Gallery, London), London 2016
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2019
J. Tátrai, Van Dyck and the Splendour of Flemish Painting, ed. A. Varga, Budapest 2019-2020
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2019
H. Belsey and J. Yarker, Thomas Gainsborough: The Portraits, Fancy Pictures and Copies after Old Masters, New Haven 2019
-
2021
J. Peacock, Picturing Courtiers and Nobles from Castiglione to Van Dyck: Self Representation by Early Modern Elites, New York 2021
