Bernardo Cavallino, 'Saint Bartholomew', about 1640-1645
About the work
Overview
Saint Bartholomew sits alone in the wilderness. Enveloped in the folds of his mantle, he turns towards us, unable to look at the knife clasped in his left hand. One of the twelve apostles, Bartholomew was said to have preached the gospel in India and Armenia. When he refused to make a sacrifice to the local gods, he was horribly killed, first flayed and then beheaded.
Gruesome depictions of Bartholomew’s martyrdom were popular in seventeenth-century Naples. Here, Cavallino makes Bartholomew the sole protagonist of an almost monochromatic, intensely psychological picture. We are not confronted with violence, but the threat of violence is menacing. White highlights gleam on the blade and handle of the knife. The rope that will be used to bind the saint hangs ominously from the tree above. His skin is beautifully painted, the visible brushmarks on the shoulder giving it a strikingly realistic texture.
Key facts
Details
- Full title
- Saint Bartholomew
- Artist
- Bernardo Cavallino
- Artist dates
- 1616 - 1656?
- Date made
- about 1640-1645
- Medium and support
- oil on canvas
- Dimensions
- 176 × 125.5 cm
- Acquisition credit
- Bought with the support of the American Friends of the National Gallery, 2023
- Inventory number
- NG6698
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 17th-century Italian Frame
Provenance
Additional information
This painting is included in a list of works with incomplete provenance from 1933–1945; for more information see Whereabouts of paintings 1933–1945.
Text extracted from the National Gallery’s Annual Report, ‘The National Gallery: Review of the Year, April 2022 – March 2023’.
Bibliography
-
2023National Gallery, The National Gallery: Review of the Year, April 2022 - March 2023, London 2023
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.