Carrine Palmieri and Rosa Falcone, after Ercole de' Roberti, 'Scenes from the Life of Saint Vincent Ferrer', 1929
Full title | Scenes from the Life of Saint Vincent Ferrer |
---|---|
Artist | Carrine Palmieri and Rosa Falcone, after Ercole de' Roberti |
Artist dates | active 1929; active 1929; active 1479; died 1496 |
Date made | 1929 |
Medium and support | oil on wood |
Dimensions | 30.5 × 215 cm |
Acquisition credit | Presented by Pope Pius XI, 1930 |
Inventory number | NG597.1 |
Location | Not on display |
Collection | Main Collection |
This long panel is a twentieth-century copy of the predella of an altarpiece by Francesco del Cossa and Ercole de‘ Roberti made for the Griffoni chapel of the church of S. Petronio, Bologna. The original predella, attributed to Ercole de’ Roberti, is in the Vatican Museums, Rome.
It shows scenes from the life of Saint Vincent Ferrer, who joined the Dominicans (a religious order founded by Saint Dominic) in 1367, becoming a friar, preacher and missionary. He was canonised in 1455. The saint is the subject of the central panel of the altarpiece which is now in the National Gallery’s collection.
The episodes show six of the saint’s miracles. Most involved healing the sick or injured or resuscitating the dead, and all are set against the backdrop of elaborate Renaissance-style architectural structures. This copy was presented to the Gallery in 1930 by Pope Pius XI.
This long panel is a twentieth-century copy of the predella of an altarpiece by Francesco del Cossa and Ercole de‘ Roberti made for the Griffoni chapel of the church of S. Petronio, Bologna. The original predella, attributed to Ercole de’ Roberti, is in the Vatican Museums, Rome.
It shows scenes from the life of Saint Vincent Ferrer, who joined the Dominicans in 1367 – becoming a friar, preacher and missionary – and was canonised in 1455. The saint is the subject of the central panel of the altarpiece, which is now in our collection.
The episodes show six of the saint’s miracles. Most involved healing the sick or injured or resuscitating the dead, and all are set against the backdrop of elaborate Renaissance-style architectural structures. This copy was presented to the National Gallery in 1930 by Pope Pius XI.
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