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Ercole de' Roberti, 'The Institution of the Eucharist', probably 1490s

About the work

Overview

Jesus sits at the head of the table, surrounded by his disciples, holding up a piece of bread, which he blesses: this is the Last Supper. Ercole’s skill at painting detail on a small scale is clear: each disciple has a different facial expression, and the transparent glasses, the carafes and the morsels of bread on the table are painted like a tiny still life.

This small panel has an unusual dual function. It was the central panel of a predella – the lowest part of an altarpiece – but evidence of a keyhole suggests that it was also the door of a hidden container housing the bread eaten at Mass. The image is appropriate for such a container, often known as a tabernacle, because at the Last Supper Jesus taught his disciples to eat bread and wine in memory of him, a rite that later became the Eucharist, or Holy Communion. To the panel’s right was Ercole’s The Israelites gathering Manna.

Key facts

Details

Full title
The Institution of the Eucharist
Artist dates
active 1479; died 1496
Part of the series
Two Panels from a Predella
Date made
probably 1490s
Medium and support
egg tempera on wood
Dimensions
29.8 × 21 cm
Acquisition credit
Bought, 1882
Inventory number
NG1127
Location
Room 14
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the series: Two Panels from a Predella

Overview

The Institution of the Eucharist and The Israelites gathering Manna were once part of a predella – a row of scenes along the base of an altarpiece – made for the church of San Domenico in Ferrara. The main panel showed Christ after his death, lying on his grieving mother’s lap, surrounded by mourners. Two of these figures are portraits of the Duke and Duchess of Ferrara. The altarpiece may have been made to commemorate the death of the Duchess, who had a particular interest in the Corpus Christi (‘body of Christ’), especially its celebration at the Eucharist. The predella probably concealed a container for the bread of the Eucharist, disguised by the image of the Last Supper, which also functioned as the container’s door. The story of the Israelites gathering manna – a heavenly ‘bread’ that fed them during their travels in the wilderness before reaching Israel – was often interpreted as a forerunner of the ‘heavenly bread’ of Christ’s body.

Works in the series

Jesus sits at the head of the table, surrounded by his disciples, holding up a piece of bread, which he blesses: this is the Last Supper. Ercole’s skill at painting detail on a small scale is clear: each disciple has a different facial expression, and the transparent glasses, the carafes and the...
The Old Testament book of Exodus describes how the Jews fled from Egypt and crossed the desert to the land of Israel. Every morning they woke up to find the ground miraculously covered with an edible substance that looked like frost – they called this ‘heavenly bread’ manna and said it tasted lik...