Gaspard Dughet, 'Imaginary Landscape with Buildings in Tivoli', about 1670
About the work
Overview
In this tranquil scene, two men and a dog sit at the roadside and glance towards another figure whose animated gesture is ambiguous. He could be one of their group or someone running to them with news, being playful or argumentative. Various types of plant and tree are painted in intricate detail and subtle variations of green-brown tones shimmer in the sunlight. The path and tree to the left lead our eye across the landscape and into the distance.
The buildings on the rocky hilltop were once thought to represent the small town of Ariccia, south-east of Rome. When Dughet painted the picture Ariccia was owned by the family of Alexander VII Chigi, who was pope from 1655 until 1667. But by the late seventeenth century it had developed into a substantial settlement, and Dughet’s town looks quite modest. It is more likely that this landscape was inspired by Tivoli, north-east of Rome, where the artist spent time.
Key facts
Details
- Full title
- Imaginary Landscape with Buildings in Tivoli
- Artist
- Gaspard Dughet
- Artist dates
- 1615 - 1675
- Date made
- about 1670
- Medium and support
- oil on canvas
- Dimensions
- 49.2 × 66.2 cm
- Acquisition credit
- Holwell Carr Bequest, 1831
- Inventory number
- NG98
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Humphrey Wine, ‘National Gallery Catalogues: The Seventeenth Century French Paintings’, London 2001; for further information, see the full catalogue entry.
Bibliography
-
1946Martin Davies, National Gallery Catalogues: French School, London 1946
-
1957Martin Davies, National Gallery Catalogues: French School, 2nd edn (revised), London 1957
-
2001Wine, Humphrey, National Gallery Catalogues: The Seventeenth Century French Paintings, London 2001
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.