Gaspard Dughet, 'Landscape with Elijah and the Angel', about 1663
About the work
Overview
The Bible describes how a winged angel appeared to Elijah while he was in the wilderness. He had been banished from Israel for defending God against the worship of the pagan deity Baal.
Here, the angel points towards Mount Horeb with one hand and towards Elijah with the other, encouraging him to venture to the mountain in the distance. Elijah gestures towards God, sitting in the clouds above them, who directs a lightning bolt towards the mountain and causes a great storm. The town nestled in the distant hills is probably Beersheba, where Elijah stopped before his journey to the mountain.
The dark and imposing clouds give way to a brighter sky in the distance. Dughet has shown the storm’s power through the branches and foliage bending in the tempest, while just behind the figures a large branch has fallen into the path.
Key facts
Details
- Full title
- Landscape with Elijah and the Angel
- Artist
- Gaspard Dughet
- Artist dates
- 1615 - 1675
- Date made
- about 1663
- Medium and support
- oil on canvas
- Dimensions
- 201.8 × 154 cm
- Acquisition credit
- Bought, 1884
- Inventory number
- NG1159
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Humphrey Wine, ‘National Gallery Catalogues: The Seventeenth Century French Paintings’, London 2001; for further information, see the full catalogue entry.
Bibliography
-
1946Martin Davies, National Gallery Catalogues: French School, London 1946
-
1957Martin Davies, National Gallery Catalogues: French School, 2nd edn (revised), London 1957
-
2001Wine, Humphrey, National Gallery Catalogues: The Seventeenth Century French Paintings, London 2001
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.