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Giovanni Martino Spanzotti, 'Saint Peter Martyr and a Bishop Saint (Saint Evasio?)', 1496-1500

About the work

Overview

This painting and Saints Nicholas of Tolentino and John the Baptist are panels from the multi-part Dal Ponte Altarpiece, made for the church of San Francesco in Casale Monferrato. We know that these panels would have formed part of the upper tier because the vaulted ceiling is painted as though from below. The other parts of the altarpiece are in the Brera, Milan; Accademia Albertina, Turin and a private collection.

Saint Peter Martyr was a Dominican friar from Verona. He holds a martyr’s palm, while in his head is the hatchet with which perceived heretics assassinated him. The bishop may be Saint Evasio, of about the third century AD, who was a missionary and bishop of nearby Asti. He was beheaded by pagans in the forests surrounding Casale Monferrato and his relics are preserved in the Cathedral there.

Key facts

Details

Full title
Saint Peter Martyr and a Bishop Saint (probably Saint Evasio)
Artist dates
active 1480 to about 1523
Part of the series
The Dal Ponte Polyptych
Date made
1496-1500
Medium and support
oil on wood
Dimensions
76.2 × 52.1 cm
Acquisition credit
Bought, 1885
Inventory number
NG1200
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the series: The Dal Ponte Polyptych

Overview

Saints Nicholas of Tolentino and John the Baptist and Saint Peter Martyr and a Bishop Saint, both in the National Gallery’s collection, are panels from the Dal Ponte Altarpiece. It was a multi-part altarpiece and we can tell that these panels would have formed part of the upper tier because the vaulted ceiling is painted as though viewed from below. The third panel of the upper tier is in a private collection.

The altarpiece, made for the church of San Francesco in Casale Monferrato, was dedicated to Saint Andrew and he was depicted in the main panel (Brera, Milan). Saint Francis and Saint Agatha with Kneeling Donor (Accademia Albertina, Turin) was on the left of the main panel and Saints Catherine and Sebastian (Brera, Milan) was on the right. The meticulously painted luxury, humanity and sense of space in these panels show the influence of Francesco Cossa, with whom Spanzotti had worked as a young man, as well as Flemish, Burgundian and Milanese painting.

Works in the series

This painting and Saints Nicholas of Tolentino and John the Baptist are panels from the multi-part Dal Ponte Altarpiece, made for the church of San Francesco in Casale Monferrato. We know that these panels would have formed part of the upper tier because the vaulted ceiling is painted as though f...
Not on display
This and Saint Peter Martyr and a Bishop Saint are panels from the upper tier of the Dal Ponte Altarpiece. The altarpiece was dedicated to Saint Andrew, who featured in the central panel, and it was made for the church of San Francesco in Casale Monferrato. The other panels are in the Albertina,...
Not on display