Italian, Milanese, 'The Virgin and Child', perhaps about 1500-25
About the work
Overview
This work is a badly damaged fragment of a fresco. It shows the Virgin holding the naked infant Christ on her knee. The Christ Child raises his hand in a gesture of blessing while looking down towards the left. The direction of his gaze and that of the Virgin suggests that he may originally have been blessing another figure included in the fresco, possibly the kneeling donor who commissioned it.
The fresco was probably painted by a Milanese artist influenced by the work of Leonardo da Vinci, an echo noticeable in the appearance of the Virgin and Christ Child. It is painted in the style of Boltraffio, who was an assistant and follower of Leonardo’s, and also resembles the work of the Master of the Pala Sforzesca, who painted an altarpiece now in the Brera, Milan. However, the picture is too damaged to be able to say for certain who painted it.
Key facts
Details
- Full title
- The Virgin and Child
- Artist
- Italian, Milanese
- Date made
- perhaps about 1500-25
- Medium and support
- fresco
- Dimensions
- 73.5 × 45.1 cm
- Acquisition credit
- Bequeathed by the Misses Cohen as part of the John Samuel collection, 1906
- Inventory number
- NG2089
- Location
- Not on display
- Collection
- Main Collection
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, ‘National Gallery Catalogues: The Earlier Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1951Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, London 1951
-
1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.