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Italian, Milanese, 'Female Members of a Confraternity', about 1500

About the work

Overview

Fourteen smartly dressed ladies kneel in prayer. They are female members of a confraternity (a quasi-religious brotherhood), praying to their patron saint; its men are shown in another painting in the National Gallery’s collection.

We are not sure who this picture is by, but it is thought to have been painted in Milan in around 1500 and was once part of a banner carried in the confraternity’s processions. It was painted on silk or canvas, and later mounted on wood.

The women are clearly meant to be recognisable people, but none has yet been identified. They wear a variety of clothes, reflecting both their age and their social status. Older women tend to have their hair covered, sometimes by several layers of veils, while the younger ones tie it back in fine nets held in place by narrow bands.

Key facts

Details

Full title
Female Members of a Confraternity
Part of the series
Fragments of a Confraternity Banner
Date made
about 1500
Medium and support
oil on canvas, mounted on wood
Dimensions
64.5 × 41.9 cm
Acquisition credit
Bought, 1867
Inventory number
NG780
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the series: Fragments of a Confraternity Banner

Overview

Medieval and Renaissance painters worked on a wide variety of objects, not just pictures intended to be hung on walls. Here we have a rare survival of an important type of artwork from this time: a painted banner.

Banners like this were designed to be seen from a distance. They were usually around 2.5 metres high, and hung from a tall wooden cross which would be carried at the head of public processions.

Made in Milan in around 1500, the banner from which these came was possibly associated with the important confraternity of the Immaculate Conception (the belief that the Virgin Mary was conceived without sin). This was set up in Milan under the sponsorship of the Franciscan Order. Behind the group of kneeling men we can see part of a figure of a saint, apparently dressed in brown robes – perhaps Saint Francis.

Works in the series

Nine men kneel in prayer, heads bare, hats in hands. Behind them stands a saint – we can only see his hand – wearing a brown garment (perhaps the habit worn by members of a religious order). It is possibly Saint Francis, who founded the Franciscan Order, presenting the men to the object of their...
Not on display
Fourteen smartly dressed ladies kneel in prayer. They are female members of a confraternity (a quasi-religious brotherhood), praying to their patron saint; its men are shown in another painting in the National Gallery’s collection.We are not sure who this picture is by, but it is thought to have...
Not on display