Joseph Mallord William Turner, 'Dutch Boats in a Gale ('The Bridgewater Sea Piece')', 1801
Key facts
Full title | Dutch Boats in a Gale ('The Bridgewater Sea Piece') |
---|---|
Artist | Joseph Mallord William Turner |
Artist dates | 1775 - 1851 |
Date made | 1801 |
Medium and support | Oil on canvas |
Dimensions | 162.5 × 221 cm |
Acquisition credit | On loan from The Capricorn Foundation |
Inventory number | L297 |
Location | Room 34 |
Image copyright | On loan from The Capricorn Foundation, © The Capricorn Foundation. Used by permission |
Collection | Main Collection |
Previous owners |
Dutch Boats in a Gale ('The Bridgewater Sea Piece')
Joseph Mallord William Turner
Dutch boats are shown on course for collision in stormy weather. Dark clouds contribute to the sense of danger. The painting was commissioned by the 3rd Duke of Bridgewater as a companion piece to a 17th-century Dutch seascape in his possession.
Why can't I download this image?
The National Gallery has endeavoured to make as many images of the collection as possible available for non-commercial use. However, an image of this painting is not available to download. This may be due to third party copyright restrictions.
If you require a license for commercial use of this image, please use the National Gallery Company's Online Picture Library or contact them using the following:
- Email: picture.library@nationalgallery.org.uk
- Telephone: +44 (0)20 7747 5994
- Fax: Fax +44 (0)20 7747 5999
Dutch Boats in a Gale ('The Bridgewater Sea Piece')
More paintings by Joseph Mallord William Turner
(Showing 6 of 9 works)
A cross-channel ferry (a packet), fully laden with passengers and flying a British flag, is approaching the port of Calais. Around it, small French fishing boats (‘poissards’) head out to sea. The water is rough and dark storm clouds gather, although a shaft of sunlight breaks through to illumina...
Turner’s painting of the North African city of Carthage, founded by Dido, its first queen, was inspired by Virgil’s epic poem, the Aeneid. The figure on the left dressed in blue and wearing a diadem is Dido herself, visiting the tomb that is being built for her dead husband, Sychaeus. The man in...
As with many of Turner’s paintings that were never exhibited in his lifetime the title of this picture was not his choice, but was decided on some 50 years later. We can’t be sure that it shows the north Kent seaside town of Margate, but the white cliffs just visible on the horizon recall other v...
Not on display
A steam engine comes towards us as it crosses the Maidenhead Railway Bridge in the rain. Designed by Isambard Kingdom Brunel, the bridge was completed in 1838. We are looking east towards London as the train heads to the west. The exaggeratedly abrupt foreshortening of the viaduct, which our eye...
It is low tide in the early morning and fishermen unload their catch from a boat beached high and dry on the shore. Some people enjoy a meal. Others prepare the catch for sale. This human activity contrasts with the stillness of the glassy sea which, like a mirror, reflects the hazy sunlight. The...
In contrast to many of Turner’s paintings – often full of activity, grand architectural settings, dramatic weather and dazzling effects of colour and light – this painting looks almost empty. The only figure is a barely visible young boy with a shrimping net over his shoulder, who wades in from t...
Not on display
Turner’s painting shows the final journey of the Temeraire, as the ship is towed from Sheerness in Kent along the river Thames to Rotherhithe in south-east London, where it was to be scrapped. The veteran warship had played a distinguished role in the Battle of Trafalgar in 1805, but by 1838 was...
This picture illustrates an ancient Greek myth that was retold by later writers, including the English romantic poet, Lord Byron. Hero, a priestess of Aphrodite, lived in a tower on the Hellespont strait, which separates Europe from Asia. She was in love with Leander, a young man from the Asian s...
Not on display
The subject of this painting is taken from Book IX of Homer’s Odyssey. It shows Ulysses sailing from the island where Polyphemus, a one-eyed giant, had held him and his men captive. Wearing a helmet and a scarlet cloak, Ulysses raises his arms in victory as he stands on the deck of his ship, belo...
You've viewed 6 of 9 paintings