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Nicolas Lancret, 'The Four Times of Day: Afternoon', 1739-41

About the work

Overview

This is the third in Lancret’s series of paintings The Four Times of Day. A gentleman and three ladies are gathered around a tric-trac table in a woodland glade. Tric-trac was a game similar to backgammon. The gentleman and a lady are playing at the table – she has just thrown the dice from her horn cup and has a double, which carries the potential for extra points. She appears to have moved her scoring peg to the fourth or fifth hole (the equivalent of 48 or 60 points), while the man’s scoring peg is only on the second hole (24 points). The gentleman looks back over his shoulder at one of the ladies and gestures to the counters on the board, perhaps to ask advice on his next move or appeal to the rules.

The series of paintings was etched and engraved in reverse by Nicolas de Larmessin III and presented to the Académie royale de peinture et de sculpture in 1741.

Key facts

Details

Full title
The Four Times of Day: Afternoon
Artist dates
1690 - 1743
Part of the series
The Four Times of Day
Date made
1739-41
Medium and support
oil on copper
Dimensions
28.8 × 36.7 cm
Acquisition credit
Bequeathed by Sir Bernard Eckstein, 1948
Inventory number
NG5869
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the series: The Four Times of Day

Overview

We do not know whether someone commissioned The Four Times of Day: Morning, Midday, Afternoon and Evening or whether Lancret produced them speculatively in the hope of making money from the engravings, since series of prints were popular with the public. Painting series of pictures was something of a speciality for Lancret – he had already produced The Four Seasons in about 1719, The Four Elements by August 1732, and The Four Ages of Man (also in the National Gallery’s collection) by July 1735. The Four Times of Day was complete by February 1741, when the engraver Nicolas de Larmessin III presented proofs of his engravings of them to the Académie Royale de Peinture et de Sculpture in Paris.

This series was painted on copper, which allowed for the fine and detailed brushwork we see here in the hands and faces of the principal figures, where Lancret made numerous small adjustments to produce particular expressions and gestures.

Works in the series

In this, the first of Lancret’s Four Times of Day, a priest attends a young lady as she takes her breakfast and gets dressed. The clock records the time as 9.08 am. The young woman, her breast exposed, has turned away from her dressing table to pour hot water into the priest’s teacup. As the pair...
Not on display
This is the second painting in Lancret’s series The Four Times of Day. A sculpted cherub (Love) sits on top of a sundial, the shadow of which points to the Roman numerals for 12 inscribed into the stone. The man and two women note the moment on the sundial, and one of the ladies holds her pocket...
Not on display
This is the third in Lancret’s series of paintings The Four Times of Day. A gentleman and three ladies are gathered around a tric-trac table in a woodland glade. Tric-trac was a game similar to backgammon. The gentleman and a lady are playing at the table – she has just thrown the dice from her h...
Not on display
This is the final scene in Lancret’s series of paintings The Four Times of Day. By the silvery light of a spring or summer moon a group of women are bathing together in a woodland pond. One of the women standing in the pond is about to splash another who is lying on the ground, apparently testing...
Not on display