Philips Wouwerman, 'Two Horsemen at a Gipsy Encampment', 1650-68
Full title | Two Horsemen at a Gipsy Encampment, One having his Fortune told |
---|---|
Artist | Philips Wouwerman |
Artist dates | 1619 - 1668 |
Date made | 1650-68 |
Medium and support | oil on wood |
Dimensions | 32 × 35.9 cm |
Inscription summary | Signed |
Acquisition credit | Bequeathed by Martin H. Colnaghi, 1908 |
Inventory number | NG2282 |
Location | Not on display |
Collection | Main Collection |
Smoke seems to mingle with the clouds in this dramatic scene of Gypsies round a fire against a background of distant mountains and closer hills. Strong women carry babies slung round them in shawls, and here and there a man’s turban is visible. An old man tends the fire.
A woman with a baby on her back tells the fortune of a passing horseman – he stands with his hand in hers. His horse stares out at us, its eyes large and soft compared with its owner’s, who stares intently at the woman to hear his fate. Beside them a second rider sits with a rifle at the ready in case of trouble.
This is not a real scene – these are Gypsies as imagined by the artist. Wouwerman’s fictional and romanticised scenes of the rough, tough life of soldiers in battle, Gypsies and brigands were highly popular in his own time, and were eagerly collected in the eighteenth and nineteenth centuries.
Smoke seems to mingle with the clouds in this dramatic scene of Gypsies round a fire against a background of distant mountains and closer hills. Strong women carry babies slung round them in shawls, and here and there a man’s turban is visible. An old man tends the fire.
A woman with a baby on her back tells the fortune of a passing horseman – he stands with his hand in hers. His horse stares out at us, its eyes large and soft compared with its owner’s, who stares intently at the woman to hear his fate. Beside them a second rider sits with a rifle at the ready in case of trouble.
This is not a real scene – these are Gypsies as imagined by the artist. Wouwerman’s fictional and romanticised scenes of the rough, tough life of soldiers in battle, Gypsies and brigands – like Cavalry making a Sortie from a Fort on a Hill – were highly popular in his own time, and were eagerly collected in the eighteenth and nineteenth centuries.
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