Pierre-Auguste Renoir, 'Head of a Girl', 1898
Key facts
Full title | Head of a Girl |
---|---|
Artist | Pierre-Auguste Renoir |
Artist dates | 1841 - 1919 |
Date made | 1898 |
Medium and support | Oil on canvas |
Dimensions | 27 × 20 cm |
Inscription summary | Signed |
Acquisition credit | On loan from Tate: Bequeathed by Sir Hugh Walpole 1941 |
Inventory number | L725 |
Location | Not on display |
Image copyright | On loan from Tate: Bequeathed by Sir Hugh Walpole 1941, © 2000 Tate |
Collection | Main Collection |
Head of a Girl
Pierre-Auguste Renoir
This painting of an unidentified young girl has sometimes been entitled 'Head of a Little Servant Girl'. In later years Renoir often used his servants as models, and this girl, seen in profile against a featureless backdrop, would have been among the youngest in service.
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(Showing 6 of 10 works)
Before the 1880s Renoir painted very few nudes. But the artist’s journey to Italy in 1881, where he was absorbed by Roman sculpture and Renaissance painting, rekindled his interest and he began painting them far more often. This small and intimate picture is probably one of a series made during t...
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This is one of the first nudes that Renoir painted. He took a traditional artistic approach, depicting the woman in a natural setting, reclining by a stream as though she were a naiad (water nymph) from the world of Greek mythology. She appears to be lying on a grassy, flower-flecked bank beside...
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We seem to be sitting in a box at the theatre with two young women, though we can’t be sure what is going on. We can’t see the stage and one of the women is looking away from us, the back of her bonnet hiding most of the other’s face. This sense of mystery is enhanced by the nearer woman’s pose,...
This picture, together with its companion piece Dancing Girl with Tambourine (also in the National Gallery’s collection), was made to decorate the dining room of the Paris apartment of one of Renoir’s most important clients, Maurice Gangnat. Of the two dancers, this figure has the more animated p...
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This picture, together with its companion piece Dancing Girl with Castanets (also in the National Gallery’s collection), was made to decorate the dining room of the Paris apartment of one of Renoir’s most important clients, Maurice Gangnat. Of the two dancers, this figure has the more static pose...
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A description on the reverse of this painting identifies it as a landscape near Annecy, a medieval town adjacent to a large lake in the Haute-Savoie region of France. The exact location has not been identified, however. As was usual in his landscapes, Renoir has used strong colour combinations, o...
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This is a portrait of Misia Sert, née Godebska, who was the darling of the highest artistic circles in France at the turn of the twentieth century. It is hard to overstate quite how glamorous and influential she was: the local newspapers dubbed her the 'Queen of Paris’. A talented pianist, she a...
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This picture shows the view across Moulin Huet Bay on Guernsey. Renoir visited the island for six weeks in 1883, and this is one of a group of paintings he produced during his stay. He was starting to break away from some of the techniques of the Impressionist approach to landscape painting, whic...
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This sunlit scene on the river Seine is typical of the imagery that has come to characterise Impressionism, and Renoir includes several familiar Impressionist motifs such as fashionably dressed women, a rowing boat, a sail boat, and a steam train crossing a bridge. The exact location has not been...
This painting places us in a busy Parisian street close to six principal figures who fill the foreground. A milling crowd behind them almost completely blocks out the boulevard beyond. The top quarter of the picture is mostly filled by a canopy of at least a dozen umbrellas.Painted in two stages,...
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