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Pierre-Auguste Renoir, 'Dancing Girl with Tambourine', 1909

About the work

Overview

This picture, together with its companion piece Dancing Girl with Castanets (also in the National Gallery’s collection), was made to decorate the dining room of the Paris apartment of one of Renoir’s most important clients, Maurice Gangnat. Of the two dancers, this figure has the more static pose. She stands with her weight slightly on her back foot, as though she is more focused on tapping out the rhythm on her tambourine while the other woman dances with her castanets. She taps only lightly, using her fingertips rather than the heel of the hand.

Renoir used Georgette Pigeot, a dressmaker who often posed for him, as a model for the figure. Her flowing costume shimmers with colour, and, like her counterpart’s, has elements of oriental or near-Eastern style, not only in the short, gold-coloured bodice and blue and gold slippers, but in what seem to be her harem pants. These loose trousers tied above the ankle became fashionable in Paris around this time.

Key facts

Details

Full title
Dancing Girl with Tambourine
Artist dates
1841 - 1919
Part of the series
Pair of Dancing Girls with Musical Instruments
Date made
1909
Medium and support
oil on canvas
Dimensions
155 × 64.8 cm
Inscription summary
Signed; Dated
Acquisition credit
Bought, 1961
Inventory number
NG6317
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the series: Pair of Dancing Girls with Musical Instruments

Overview

These two pictures of dancers in exotic costumes are near life-size. They were were made as part of the decorations of an apartment at 24 Avenue de Friedland in central Paris, which belonged to Maurice Gangnat, a wealthy steel magnate and art collector and one of Renoir’s most discerning clients. Made to hang on either side of a mirror above the fireplace in the dining room, they belong to a tradition of decorative art used to enliven architectural features with painted figures, often in poses which mimicked sculptural forms.

The paintings were made late in Renoir’s career, when he was 67 or 68 years old, though as a youthful apprentice he had trained as a decorative artist. The costumes of both dancers have oriental – or near-Eastern – overtones, especially the slippers and short gold-coloured bodices, and the harem pants worn by the woman in Dancing Girl with Tambourine.

Works in the series

This picture, together with its companion piece Dancing Girl with Castanets (also in the National Gallery’s collection), was made to decorate the dining room of the Paris apartment of one of Renoir’s most important clients, Maurice Gangnat. Of the two dancers, this figure has the more static pose...
Not on display
This picture, together with its companion piece Dancing Girl with Tambourine (also in the National Gallery’s collection), was made to decorate the dining room of the Paris apartment of one of Renoir’s most important clients, Maurice Gangnat. Of the two dancers, this figure has the more animated p...
Not on display