Style of Ambrogio Bergognone, 'Saint Ambrose (?)', late 15th century
About the work
Overview
An elderly, bearded saint, wearing a bishop’s mitre and holding a book and a crosier, gazes directly, almost challengingly, out at us. We are not sure exactly who he is. He has traditionally been identified as Saint Ambrose, the fourth-century patron of Milan, but he lacks the saint’s traditional symbol of a scourge (a multi-tongued whip).
This panel is one of two in the National Gallery’s collection which probably came from the top level of a polyptych (a multi-panelled altarpiece); to judge from the perspective you are supposed to look up at it from below.
Key facts
Details
- Full title
- Saint Ambrose (?)
- Artist
- Style of Ambrogio Bergognone
- Artist dates
- active 1481; died 1523?
- Part of the series
- Two Panels from an Altarpiece
- Date made
- late 15th century
- Medium and support
- oil on wood
- Dimensions
- 110.5 × 41.9 cm
- Acquisition credit
- Layard Bequest, 1916
- Inventory number
- NG3081
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, ‘National Gallery Catalogues: The Earlier Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1951Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, London 1951
-
1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
Images
About the series: Two Panels from an Altarpiece

Overview
Two small saints – Saint Paul, with a sword and book, and a bishop saint, perhaps Saint Ambrose, in richly coloured and gilded robes – stand against dark backgrounds. The angle at which they are shown makes it clear they were intended to be seen from below: both probably came from the top row of a polyptych (a multi-panelled altarpiece).
We do not know who the artist was, but the style of the panels links them to the work of two important north Italian painters of the late fifteenth and early sixteenth centuries: Vincenzo Foppa and Ambrogio Bergognone. They must have been made by a less talented follower of these Lombard painters, probably in around 1480 to 1500.