Style of Gustave Courbet, 'The Sea near Palavas', 1860s onwards
Full title | The Sea near Palavas |
---|---|
Artist | Style of Gustave Courbet |
Artist dates | 1819 - 1877 |
Date made | 1860s onwards |
Medium and support | oil on canvas |
Dimensions | 43.2 × 60 cm |
Inscription summary | Signed |
Acquisition credit | Presented by John P. Heseltine in memory of William Lomas, 1911 |
Inventory number | NG2767 |
Location | Not on display |
Collection | Main Collection |
Previous owners |
This is a view of the coast at Palavas-les-Flots, a fishing village south of Montpellier. The picture is similar to seascapes that Gustave Courbet painted there during his several visits to Montpellier in the 1850s. In particular, there are resemblances to his small painting The Seaside at Palavas (Musée Fabre, Montpellier). Painted in 1854, that work was commissioned by Alfred Bruyas during Courbet’s first visit. It shows Courbet, or perhaps Bruyas, standing on a deserted beach greeting the sea and may have been inspired in part by Caspar David Friedrich’s Monk by the Sea (Alte Nationalgalerie, Berlin).
However, this slightly larger painting is not accepted as a work by Courbet despite the signature G. Courbet in the lower right corner. The composition, particularly the sky, is blander than his other seascapes and the smooth application of the thinned paint is unlike his more textured use of oil paint.
This view has been identified as the coast at Palavas-les-Flots, a fishing village located to the south of Montpellier on a thin strip of land separated from the mainland by two lakes. We are looking south-west towards the Montagne de Sète (Mont Saint-Clair) in the right distance.
The picture is similar to seascapes that Gustave Courbet painted there during his several visits to Montpellier in the 1850s. In particular, there are resemblances to his small painting The Seaside at Palavas (Musée Fabre, Montpellier). Painted in 1854, that work was commissioned by Alfred Bruyas during Courbet’s first visit. It shows Courbet, or perhaps Bruyas, standing on a deserted beach greeting the sea and may have been inspired in part by Caspar David Friedrich’s Monk by the Sea (Alte Nationalgalerie, Berlin).
However, this slightly larger painting is not accepted as a work by Courbet despite the signature G. Courbet in the lower right corner. The composition, particularly the sky, is blander than his other seascapes and the smooth application of the thinned paint is unlike his more textured use of oil paint.
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