Théodore Rousseau, 'The Valley of Saint-Vincent', 1830
About the work
Overview
From the grassy outcrop in the left foreground there is a vertiginous drop into the valley, which in its sweep towards the menacing line of mountains in the distance fades from green to blue. The valley is criss-crossed with dark green tree lines, the trees conjured up out of small swirls of the brush. The view is in the Cantal region of the Auvergne, where Rousseau spent several months in 1830. The valley depicted here, through which the river Mars runs, is home to a number of villages, including Saint-Vincent-de-Salers.
One of the principal summits of the Cantal region, the Puy Mary, is at the centre. To its left lies the small peak of the Puy de Peyre Ares, and the pointed peak to the right is the Col de Redondet. In common with Rousseau’s other studies from this visit, this view was painted on paper in the open air.
Key facts
Details
- Full title
- The Valley of Saint-Vincent
- Artist
- Théodore Rousseau
- Artist dates
- 1812 - 1867
- Date made
- 1830
- Medium and support
- oil on paper, mounted on canvas
- Dimensions
- 18.2 × 32.4 cm
- Acquisition credit
- Bought, 1918
- Inventory number
- NG3296
- Location
- Not on display
- Collection
- Main Collection
- Frame
- 19th-century French Frame
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Sarah Herring, ‘National Gallery Catalogues: The Nineteenth Century French Paintings’, vol. 1, ‘The Barbizon School’, London 2019; for further information, see the full catalogue entry.
Exhibition history
-
2009Corot to Monet: A Fresh Look at Landscape from the CollectionThe National Gallery (London)8 July 2009 - 20 September 2009
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2013Impressionism and Open-Air Painting. From Corot to Van Gogh.Museo Nacional Thyssen-Bornemisza5 February 2013 - 12 May 2013
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2014Inventing Impressionism: Paul Durand-Ruel and the Modern Art MarketMusée du Luxembourg9 October 2014 - 8 February 2015Philadelphia Museum of Art24 June 2015 - 13 September 2015
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2016Painters' Paintings: From Freud to Van DyckThe National Gallery (London)23 June 2016 - 4 September 2016
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2023Light and Soul, Early Impressions of the French LandscapeCooper Gallery23 June 2023 - 7 October 2023
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2024Théodore Rousseau: The Voice of the ForestPetit Palais, Musée des Beaux Arts de la Ville de Paris5 March 2024 - 7 July 2024
Bibliography
-
1957Martin Davies, National Gallery Catalogues: French School, 2nd edn (revised), London 1957
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1967H. Toussaint, Théodore Rousseau 1812-1867 (exh. cat., Musée du Louvre, Paris), Paris 1967-1968
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1970Davies, Martin, and Cecil Gould, National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists etc., London 1970
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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2010R. Miquel and P. Miquel, Théodore Rousseau 1812-1867, Paris 2010
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2014S. Patry, Paul Durand-Ruel: le pari de l'impressionnisme (exh. cat., Musée du Luxembourg, Paris), Paris 2014
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2019Herring, Sarah, National Gallery Catalogues: The Nineteenth Century French Paintings, 1, The Barbizon School, London 2019
Frame
This is a French neoclassical frame. Crafted from pinewood, it is adorned with water-gilded composition ornaments. There is a rope motif on the back edge. The top flat shows off highly burnished gold, followed by an egg-and-dart motif with corner leaves. This leads to a fluted hollow section with classical acanthus-leaf corners. A string of pearls runs alongside the gilt flat, followed by a lamb’s-tongue design at the sight edge.
The painting arrived at the National Gallery in 1918 in its authentic French Barbizon frame (now in store).
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.