Workshop of Gerard David, 'Saint Jerome in a Landscape', perhaps about 1501
About the work
Overview
An elderly man kneels in landscape, beating his sunken and bleeding chest with a stone. He gazes up at a Crucifix attached to a tree, on which hangs a painted figure of Christ. This is Saint Jerome, hermit and translator of the Bible. His cardinal’s robes and hat lie discarded behind him.
The rocky and wooded landscape is presumably the wilderness to which he fled and where he beat his chest when tempted by sinful thoughts. According to legend, while there he pulled a thorn out of a lion’s paw. It remained his faithful companion until his death – here it lies beside him like a pet dog. The tower behind could be Bethlehem, where Jerome settled in the year 386.
This subject was very popular in the late fifteenth and early sixteenth centuries. Jerome was seen as a role model for living an ascetic life – he renounced worldly riches and pleasure – and for the scholarly study of the Bible.
Key facts
Details
- Full title
- Saint Jerome in a Landscape
- Artist
- Workshop of Gerard David
- Artist dates
- active 1484; died 1523
- Date made
- perhaps about 1501
- Medium and support
- oil on wood
- Dimensions
- 35.3 × 23.7 cm
- Inscription summary
- Inscribed
- Acquisition credit
- Salting Bequest, 1910
- Inventory number
- NG2596
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Lorne Campbell, ‘National Gallery Catalogues: The Fifteenth Century Netherlandish Schools’, London 1998; for further information, see the full catalogue entry.
Bibliography
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1892W. Armstrong, Exhibition of Pictures by Masters of the Netherlandish and Allied Schools (exh. cat. Burlington Fine Arts Club, 1892), London 1892
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1902G.H. de Loo, Exposition de tableaux flamands des XIVe, XVe et XVIe siècles: Catalogue critique, précédé d'une introduction sur 'identité de certains maîtres anonymes, Ghent 1902
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1903M.J. Friedländer, Meisterwerke der niederländischen Malerei des XV. u. XVI. Jahrhunderts auf der Ausstellung zu Brügge 1902 (exh. cat. Provinciaal Hof, 15 June 1902 - 15 September 1902), Munich 1903
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1921W.M. Conway, The van Eycks and Their Followers, London 1921
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1924M.J. Friedländer, Die altniederländische Malerei, 14 vols, Berlin 1924
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1945Davies, Martin, National Gallery Catalogues: Early Netherlandish School, London 1945
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1953M. Davies, The National Gallery, London, Les Primitifs flamands. I, Corpus de la peinture des anciens Pay-Bas méridionaux au quinzième siècle 3, 2 vols, Antwerp 1953
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1955Davies, Martin, National Gallery Catalogues: Early Netherlandish School, 2nd edn (revised), London 1955
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1973The National Gallery, The National Gallery: January 1971 - December 1972, London 1973
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1974M. Meiss, French Painting in the Time of Jean de Berry: The Limbourgs and Their Contemporaries, London 1974
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1980E.J. Mundy, Gerard David Studies, Princeton 1980
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1987Davies, Martin, National Gallery Catalogues: The Early Netherlandish School, 3rd edn, London 1987
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1991D. Martens, 'Un triptyque d'Adriaen Isenbrandt reconstitué', Oud Holland, CV, 1991, pp. 157-66
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1992C. Scailliérez, 'Entre enluminure et peinture: À propos d'un paysage avec saint Jérôme pénitent de l'école ganto-brugeoise récemment acquis par le Louvre', Revue du Louvre, II, 1992, pp. 16-31
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1998Campbell, Lorne, National Gallery Catalogues: The Fifteenth Century Netherlandish Paintings, London 1998
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2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.