German art historian.
Jean Paul Richter
1847 - 1937
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
No known connections with slavery.
Abolition connections
No known connections with abolition.
National Gallery painting connections
Former owner: NG purchased in 1886: NG1214.
Bibliography
J. Anderson, 'Richter, Jean Paul', in J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://doi.org/10.1093/gao/9781884446054.article.T072029
Checked and found
—
Item on publisher's website
History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
Checked and not found
—
Item on publisher's website
C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://www.oxforddnb.com/
Checked and not found
—
Item on publisher's website
UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
Checked and not found
—
Item on publisher's website
Paintings previously owned by Jean Paul Richter
After being exiled from Rome, the Roman general Coriolanus led the Volscian army to besiege the city. He was eventually persuaded to call off the attack by his mother, his wife and their children. In this painting, Coriolanus is shown kneeling before his family, his helmet on the ground beside hi...
Not on display
Two saints stand on a fantastically cusped stone plinth in front of a rose hedge. They are Francis and Mark, identified by their attributes – the symbols with which they are traditionally associated – and by the inscriptions in the front of the plinth. Mark, one of the four authors of the Gospels...
Not on display
Pedro Campaña, after Federico Zuccaro
Christ sits enthroned in the Temple of Jerusalem. He blesses the woman in the lower right, who is extending her arms and kneeling in repentance. This is Mary Magdalene, whose conversion is not specifically mentioned in the Gospels, but which was often represented in art. Her sister Martha stands...
Not on display
The scene shows the violent biblical episode in which King Herod orders a massacre of all children under the age of two in an attempt to kill the newborn Christ, believing him to be a threat to his rule. This panel was once joined with the other painting by Mocetto in our collection, forming the...
Not on display
This panel and The Massacre of the Innocents once formed a single image, with this scene on the right. It was cut into two before entering the National Gallery’s collection. The bearded man wearing a crown is King Herod – he is overseeing the massacre of infants that he had ordered in an attempt...
Not on display