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Gerolamo Mocetto, 'The Massacre of the Innocents with Herod', about 1500-25

About the work

Overview

This panel and The Massacre of the Innocents once formed a single image, with this scene on the right. It was cut into two before entering the National Gallery’s collection. The bearded man wearing a crown is King Herod – he is overseeing the massacre of infants that he had ordered in an attempt to kill the newborn Christ. Herod regarded Christ as a threat to his rule because he was being called ‘the king of the Jews’.

Several of these figures, including the Roman soldier gesturing toward the violence at the centre of the scene, are directly copied from The killing of the Sow (British Museum, London), an engraving by Mocetto set in ancient Rome and seeming to show a pagan ritual. The architectural setting imitates the style and materials of ancient Greek and Roman buildings. This interest in antiquity reflects that of Mocetto’s predecessor Mantegna, who was also working in the Veneto.

Key facts

Details

Full title
The Massacre of the Innocents with Herod
Artist dates
about 1458 - 1531
Part of the series
The Massacre of the Innocents
Date made
about 1500-25
Medium and support
oil, originally on wood, transferred to canvas
Dimensions
67.9 × 44.5 cm
Inscription summary
Signed
Acquisition credit
Bought, 1888
Inventory number
NG1239
Location
Not on display
Collection
Main Collection
Previous owners

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the series: The Massacre of the Innocents

Overview

When Herod, King of Judea, found out about the birth of Jesus, who was being called ‘the king of the Jews’, he ordered the killing of all children under the age of two, an event known as the ‘massacre of the innocents’ (Matthew 2: 16).

These two pictures once formed a continuous image, but it was cut up before entering the National Gallery’s collection. The picture showing Herod overseeing the slaughter was originally to the right. The architecture – for example, the balustrade – continues from one scene to the next but the alignment is not seamless, suggesting that both paintings were cut down at the inside edge.

Paintings by Mocetto are quite rare; he is better known as an engraver. He has placed his signature on the pedestal supporting the column of Herod’s palace: HEROL/EMO / MOCETO / P.[INXIT] (‘Gerolamo Mocetto painted this’).

Works in the series

This panel and The Massacre of the Innocents once formed a single image, with this scene on the right. It was cut into two before entering the National Gallery’s collection. The bearded man wearing a crown is King Herod – he is overseeing the massacre of infants that he had ordered in an attempt...
Not on display
The scene shows the violent biblical episode in which King Herod orders a massacre of all children under the age of two in an attempt to kill the newborn Christ, believing him to be a threat to his rule. This panel was once joined with the other painting by Mocetto in our collection, forming the...
Not on display