Gerolamo Mocetto, 'The Massacre of the Innocents with Herod', about 1500-25
About the work
Overview
This panel and The Massacre of the Innocents once formed a single image, with this scene on the right. It was cut into two before entering the National Gallery’s collection. The bearded man wearing a crown is King Herod – he is overseeing the massacre of infants that he had ordered in an attempt to kill the newborn Christ. Herod regarded Christ as a threat to his rule because he was being called ‘the king of the Jews’.
Several of these figures, including the Roman soldier gesturing toward the violence at the centre of the scene, are directly copied from The killing of the Sow (British Museum, London), an engraving by Mocetto set in ancient Rome and seeming to show a pagan ritual. The architectural setting imitates the style and materials of ancient Greek and Roman buildings. This interest in antiquity reflects that of Mocetto’s predecessor Mantegna, who was also working in the Veneto.
Key facts
Details
- Full title
- The Massacre of the Innocents with Herod
- Artist
- Gerolamo Mocetto
- Artist dates
- about 1458 - 1531
- Part of the series
- The Massacre of the Innocents
- Date made
- about 1500-25
- Medium and support
- oil, originally on wood, transferred to canvas
- Dimensions
- 67.9 × 44.5 cm
- Inscription summary
- Signed
- Acquisition credit
- Bought, 1888
- Inventory number
- NG1239
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, ‘National Gallery Catalogues: The Earlier Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1951Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, London 1951
-
1986Davies, Martin, National Gallery Catalogues: The Earlier Italian Schools, revised edn, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.
Images
About the series: The Massacre of the Innocents

Overview
When Herod, King of Judea, found out about the birth of Jesus, who was being called ‘the king of the Jews’, he ordered the killing of all children under the age of two, an event known as the ‘massacre of the innocents’ (Matthew 2: 16).
These two pictures once formed a continuous image, but it was cut up before entering the National Gallery’s collection. The picture showing Herod overseeing the slaughter was originally to the right. The architecture – for example, the balustrade – continues from one scene to the next but the alignment is not seamless, suggesting that both paintings were cut down at the inside edge.
Paintings by Mocetto are quite rare; he is better known as an engraver. He has placed his signature on the pedestal supporting the column of Herod’s palace: HEROL/EMO / MOCETO / P.[INXIT] (‘Gerolamo Mocetto painted this’).