Goldsmith and jeweler.
Thomas Hamlet
1793 - 1849
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
No known connections with slavery.
Abolition connections
No known connections with abolition.
National Gallery painting connections
Former owner: NG purchased from Hamlet in 1826: NG9, NG35, NG62.
Bibliography
History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
Checked and not found
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Item on publisher's website
C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://www.oxforddnb.com/
Checked and not found
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Item on publisher's website
J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://www.oxfordartonline.com/groveart/
Checked and not found
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Item on publisher's website
UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
Checked and not found
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Item on publisher's website
Paintings previously owned by Thomas Hamlet
In this wild party, men and women dance around a term – a carved bust of a bearded and horned man. This is traditionally identified as Pan, god of woods and fields, flocks and herds, although the statue could also be Priapus, god of gardens and fertility, who wears floral garlands and exposes his...
One of the most famous paintings in the National Gallery, Titian’s Bacchus and Ariadne illustrates a story told by the classical authors Ovid and Catullus. The Cretan princess Ariadne has been abandoned on the Greek island of Naxos by Theseus, whose ship sails away in the distance. Bacchus, god o...
Saint Peter fled Rome after Christ’s crucifixion, scared that he too would be executed by the Romans; here, he stands in shock as Christ passes him on the road. When Peter asked Christ where he was going – the question in this painting’s title – he replied that he was headed to Rome to be crucifi...
In this painting we see Esther, the Jewish heroine of the Old Testament, presenting herself to Ahasuerus, King of Persia, in an attempt to save the Jewish population of Persia, who he had condemned to death. In doing so, she risked her life: approaching the King without his permission was punisha...
Not on display