Room 29

Autumnal colours and a soft sky lend a certain melancholy to a vast landscape. The high cliff and spindly birch trees on one side and a dark cluster of undergrowth on the other narrow the view, almost hypnotic in its stillness. The figures in the foreground seem almost incidental but flashes of w...

The tranquillity of the Campagna – the countryside around Rome – stretches far into the distance under a soft golden light. Muleteers, who lived by transporting goods on the backs of their patient mules, move at a leisurely pace across the mountainous landscape, its paths winding in and out of ro...

This appears to depict a moment of bliss: an idyllic landscape, painted in an Italianate style by Jan Both, is suffused with the warm glow of a summer’s evening. In the foreground a group of elegantly poised nudes, added by Both’s collaborator Cornelis van Poelenburgh, catches the sunlight.But th...

In this full-length portrait, Armand-Jean du Plessis, duc de Richelieu (1585–1642) wears the robe and skull cap of a cardinal. This position had been granted to him in 1622. His left hand lifts the robe to reveal a delicate layer of lace, also visible on his sleeves, beneath the great expanse of...

According to the Gospel of Matthew, an angel appears to the Virgin Mary’s husband, Joseph, in a dream. Champaigne shows the angel gesturing towards both heaven and the Virgin Mary, confirming that Christ has been conceived through the Holy Ghost. Kneeling in front of an open Bible, Mary glances t...

This triple portrait was intended as a model for a full-length statue of Armand-Jean du Plessis, duc de Richelieu (1585–1642), who became Cardinal in 1622 and the Chief Minister of France in 1624. He wears a Cardinal’s robe, skull cap and blue ribbon adorned with the Order of the Holy Spirit, sym...

This warm, tranquil port scene is bathed in sunlight: the clock on the building to the left records the time as five o'clock. A coat of arms with three golden fleurs-de-lis (emblem of the French king) above the clock and on the ship’s flags to the right suggests this painting was intended for a F...

This small painting beautifully evokes the lushness of the natural world. A young man rests against the base of a tree and turns his head towards us. He holds one hand to his mouth as if playing a flute just out of view, a pose derived from images of the classical hero Orpheus charming the animal...

Claude illustrates the Old Testament story of Hagar, setting it in a tranquil landscape bathed in hazy sunlight. Hagar is an Egyptian servant girl who gives birth to Abraham’s child and runs away after quarrelling with Abraham’s childless wife, Sarah. Claude captures Hagar’s suffering and despair...

According to the legend, Saint Ursula, a Christian princess from Britain or Brittany, made a holy pilgrimage to Rome with 11,000 virgins. Dressed in yellow and holding a flag with a red cross, Ursula watches her companions embark on their return voyage. They carry bows and arrows, weapons that re...

Threatened with marriage to a monster Psyche, a mortal, is blown away by the West Wind. She awakens near a magical palace and falls in love with Cupid. He makes Psyche promise not to look at his divine face, but she breaks this promise and Cupid abandons her. The subject of this painting is taken...

This painting is one of a series depicting the Seven Liberal Arts, which represent disciplines associated with learning and language – grammar, logic, rhetoric, arithmetic, music, geometry and astronomy – as half-length figures of women. Grammar is shown as a woman watering plants, conveying the...

A group gathers around a manger to adore the newborn Christ. On the right, the Virgin Mary and Joseph gaze reverently at the infant, alongside two small angels. On the left are two young boys and an old, barefooted man: they are the shepherds mentioned in the Gospel of Luke (2: 8–20). This scene...

Le Sueur shows us a moment described in the Gospel of John, when Christ speaks to his mother, the Virgin Mary, and his disciple, Saint John the Evangelist, just before he dies. Opposite them kneels Mary Magdalene, her hands clasped together in prayer. Their expressions, mouths slightly open and e...

In this fantastical landscape, the holy family – the Virgin Mary, Joseph and Christ – pause on their journey beside a derelict Roman temple. Among crumbling columns and fragmented archways, niches with antique statues and carved reliefs remain intact. The Virgin gives Christ some figs as a symbol...

In this wild party, men and women dance around a term – a carved bust of a bearded and horned man. This is traditionally identified as Pan, god of woods and fields, flocks and herds, although the statue could also be Priapus, god of gardens and fertility, who wears floral garlands and exposes his...

Aurora, goddess of dawn, is in love with the mortal Cephalus and tries to seduce him. Cephalus, dressed here in blue, turns away from Aurora, rejecting her advances. He gazes towards a portrait of his wife, Procris, held by a winged cupid. Later, when Cephalus and Procris are reunited, they each...

In the late 1630s, Poussin painted one of the summits of his art: the first series of Seven Sacraments. Commissioned by his friend and patron Cassiano dal Pozzo (1588–1657), Poussin depicted the seven rites of the Catholic Church: Baptism, Penance, Eucharist, Confirmation, Marriage, Ordination an...

A man has been crushed by a snake and lies dead beside a pond: his body is limp and his skin a greenish-grey. We see a man and woman whose gestures and movement show their fear and surprise. The way the landscape is constructed reveals the drama in stages: the running man sees the dead man and th...

A sandy path meanders through a landscape of dunes towards distant hills and mountains. An old man in blue with his back towards us occupies the foreground, a sack and water bottle lying beside him on the ground. He seems to be watching a younger man who bends to scoop water from a pool with a po...

A country track leads from the left foreground between two outcrops of tree-covered rocks, around a limpid pool and towards the distant mountains. In the foreground a man wearing a classical tunic rests by the side of the track. He looks towards a second man in the middle distance, who ties his s...

In the late 1630s, Poussin painted one of the summits of his art: the first series of Seven Sacraments. Commissioned by his friend and patron Cassiano dal Pozzo (1588–1657), Poussin depicted the seven rites of the Catholic Church: Baptism, Penance, Eucharist, Confirmation, Marriage, Ordination an...

A beautiful nymph lying in the foreground seems to be asleep, although she may be enjoying a moment of solitary ecstasy. Beside her a golden-haired child watches as a satyr – a man with a goat’s ears, horns and legs – gently removes her delicate white robe. Another satyr peeps out from behind a t...

In this scene from the Book of Exodus, a large gathering of Israelites worship a life-size statue of a golden calf, or what is actually a bull, which represents the Egyptian bull-god Apis. They have decided to worship a different, pagan god while their leader Moses has been away on Mount Sinai co...

Shepherds kneel and stand in order to praise the baby Jesus, watched by Joseph and the Virgin Mary. The stone archway frames an earlier episode: the same shepherds fall over in surprise as an angel appears in the clouds to announce Christ’s birth to them. Following an old tradition in painting, P...

The infant Bacchus, god of wine, drinks from a bowl into which a satyr squeezes grape juice representing wine. Paintings commonly show Bacchus as a drunken adult, but to show him drinking alcohol at this young age is unusual. Ovid’s Metamorphoses describes how Bacchus' aunt Ino watches over him....

In this chaotic woodland party, men and women dance, drink, play music and behave badly. They gather around a statue of a red-faced satyr with horns, which may represent Pan, god of shepherds and herdsmen, or Priapus, god of gardens. Both deities are linked to the mischievous god of wine, Bacchus...

This playful scene celebrates Silenus, companion to Bacchus, the Roman god of wine and drunkenness. Silenus, a naked old man with a bald head, sits slumped on a throne to the left, supported by two men. Too drunk to stand, he balances one leg precariously on a tiger. He is surrounded by revellers...