Politician and patron of the arts.
National Gallery Trustee (1884–1885).
William Graham
1817 - 1885
This person is the subject of ongoing research. We have started by researching their relationship to the enslavement of people.
Biographical notes
Slavery connections
INCIDENTAL CONNECTION: Both Graham and William Holwell Carr (q.v.) were former owners of Claude Lorraine’s Apollo and the Muses on Mount Helicon (Museum of Fine Arts, Boston), which was later acquired by Edward Gray (q.v.).
Abolition connections
No known connections with abolition.
Bibliography
O. Garnett, 'Graham, William', in J. Turner et al. (eds), Grove Art Online, Oxford 1998-, https://doi.org/10.1093/gao/9781884446054.article.T033975
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O. Garnett, 'Graham, William', in C. Matthew et al. (eds), Oxford Dictionary of National Biography, Oxford 1992-, https://doi.org/10.1093/ref:odnb/51801
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History of Parliament Trust (ed.), The History of Parliament: British Political, Social & Local History, London 1964-, https://www.historyofparliamentonline.org/
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UCL Department of History (ed.), Legacies of British Slave-ownership, London 2020, https://www.ucl.ac.uk/lbs/
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Paintings previously owned by William Graham
(Showing 6 of 8 works)
This panel is part of the predella (lowest section) of a large altarpiece. The altarpiece’s central panel shows the Virgin and Child, and panels on either side show narrative scenes of the lives of saints.The original predella showed Christ in the centre, surrounded by the 12 apostles, his follow...
Not on display
These two scenes continue the stories on the previous panel, Helsinus saved from a Shipwreck and (below) A French Canon drowned by Devils. They come from a twelfth-century text written by English monk Eadmer, an early supporter of the idea that the Virgin was conceived without sin.The top portion...
Not on display
These scenes come from a text written in twelfth century by an English monk called Eadmer, an early supporter of the idea that the Virgin was conceived without sin; they conclude in Helsinus Preaching the Celebration of the Feast of the Conception and (below) The French Canon restored to Life.The...
Not on display
The stories on this panel describe the conception of the Virgin Mary by her mother Anne. In the upper part we see a man slouched on the ground: Anne’s husband Joachim. His sacrificial offering was rejected at the temple because of his childlessness, so he fled to the hillsides with his sheep. Whi...
Not on display
The scenes on this panel describe the conception of the Virgin Mary by her mother Anne. In the upper scene Anne’s husband Joachim attempts to make an offering of a lamb at the temple but is turned away before he reaches the altar by two bearded priests. According to the Golden Legend, a thirteent...
Not on display
The damaged inscription to the right of the Virgin describes her: Maria, mater humilitatis (‘Mary, mother of humility’). The so-called Virgin of Humility is usually shown, as here, seated on the ground, but with the Christ Child breastfeeeding. In Venice, a city with which this artist had close t...
Not on display
This is one of three sections of a predella, the lowest part of an altarpiece. The main panels of the altarpiece show the Virgin and Child, surrounded by narrative scenes of the lives of the saints. The predella originally showed Christ at the centre with the 12 apostles, his followers who preach...
Not on display
This panel is a section of a predella, the lowest part of an altarpiece. The main panels of the altarpiece show the Virgin and Child and narrative scenes of the lives of saints. The predella originally showed Christ surrounded the 12 apostles, his followers who preached his message after his deat...
Not on display
You've viewed 6 of 8 paintings