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Dalmatian/Venetian, 'Saint Joachim's Offering; Meeting at the Golden Gate', about 1400

About the work

Overview

The scenes on this panel describe the conception of the Virgin Mary by her mother Anne. In the upper scene Anne’s husband Joachim attempts to make an offering of a lamb at the temple but is turned away before he reaches the altar by two bearded priests. According to the Golden Legend, a thirteenth-century compilation of the lives of the saints, he was unwelcome because of his childlessness. The next scene appears on a different panel, The Angel appearing to Saint Joachim and (below) The Birth of the Virgin.

The lower image here continues the story at a later stage. It shows Joachim and Anne kissing in front of the Golden Gate at the entrance to Jerusalem. The city is shown as a fortified and walled jumble of pitched roofs and domes, set in a hilly landscape: the artist’s vision of the rocky scenery of the Middle East. This was, according to the legend, the moment Anne conceived Mary.

Key facts

Details

Full title
Saint Joachim's Offering rejected and (below) The Meeting at the Golden Gate
Part of the group
Altarpiece of the Virgin Mary
Date made
about 1400
Medium and support
egg tempera on wood
Dimensions
63.4 × 26.8 cm
Inscription summary
Inscribed
Acquisition credit
Bequeathed by H.E. Luxmoore, 1927
Inventory number
NG4250.2
Location
Not on display
Collection
Main Collection
Previous owners

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the group: Altarpiece of the Virgin Mary

Overview

This altarpiece is a unique example in the National Gallery’s collection of a work made by a late medieval artist working on both sides of the Adriatic, the sea between Italy and the Balkan coast. The picture may be one of the earliest painted representations of the Virgin of the Immaculate Conception (the Virgin being conceived without sin). This was a controversial idea in this period. It was not officially included in Catholic theology until the nineteenth century, but it was celebrated in the fifteenth century, on 8 December.

The central panel showing the Virgin and Child includes celestial bodies – the sun, moon and stars – that became associated with the Immaculate Conception. The left side panels show the story of the Virgin’s miraculous birth to a couple who could not have children; the right side panels shows two miracles of the Virgin.

Works in the group

The damaged inscription to the right of the Virgin describes her: Maria, mater humilitatis (‘Mary, mother of humility’). The so-called Virgin of Humility is usually shown, as here, seated on the ground, but with the Christ Child breastfeeeding. In Venice, a city with which this artist had close t...
Not on display
The scenes on this panel describe the conception of the Virgin Mary by her mother Anne. In the upper scene Anne’s husband Joachim attempts to make an offering of a lamb at the temple but is turned away before he reaches the altar by two bearded priests. According to the Golden Legend, a thirteent...
Not on display
The stories on this panel describe the conception of the Virgin Mary by her mother Anne. In the upper part we see a man slouched on the ground: Anne’s husband Joachim. His sacrificial offering was rejected at the temple because of his childlessness, so he fled to the hillsides with his sheep. Whi...
Not on display
These scenes come from a text written in twelfth century by an English monk called Eadmer, an early supporter of the idea that the Virgin was conceived without sin; they conclude in Helsinus Preaching the Celebration of the Feast of the Conception and (below) The French Canon restored to Life.The...
Not on display
These two scenes continue the stories on the previous panel, Helsinus saved from a Shipwreck and (below) A French Canon drowned by Devils. They come from a twelfth-century text written by English monk Eadmer, an early supporter of the idea that the Virgin was conceived without sin.The top portion...
Not on display
This panel is part of the predella (lowest section) of a large altarpiece. The altarpiece’s central panel shows the Virgin and Child, and panels on either side show narrative scenes of the lives of saints.The original predella showed Christ in the centre, surrounded by the 12 apostles, his follow...
Not on display
This is one of three sections of a predella, the lowest part of an altarpiece. The main panels of the altarpiece show the Virgin and Child, surrounded by narrative scenes of the lives of the saints. The predella originally showed Christ at the centre with the 12 apostles, his followers who preach...
Not on display
This panel is a section of a predella, the lowest part of an altarpiece. The main panels of the altarpiece show the Virgin and Child and narrative scenes of the lives of saints. The predella originally showed Christ surrounded the 12 apostles, his followers who preached his message after his deat...
Not on display