Girolamo Romanino
about 1484 - about 1560
Romanino was the leading painter, with Moretto, of Brescia in the first half of the 16th century. His style differs from Moretto's in the heightened expressiveness of the figures and landscape. This is due to the impact of Dürer and German art.
Like Lotto, Romanino was active as a painter of frescoes and altarpieces - and occasional portraits - over a wide area of northern Italy, including Padua, Cremona and Trento. Brescia remained his chief place of residence and he became a municipal councillor there in 1559. His son-in-law was the painter Lattanzio Gambara, with whom he collaborated.
The influence of Giorgione and Titian is apparent in Romanino's handling of paint, and in his treatment of subjects.
Like Lotto, Romanino was active as a painter of frescoes and altarpieces - and occasional portraits - over a wide area of northern Italy, including Padua, Cremona and Trento. Brescia remained his chief place of residence and he became a municipal councillor there in 1559. His son-in-law was the painter Lattanzio Gambara, with whom he collaborated.
The influence of Giorgione and Titian is apparent in Romanino's handling of paint, and in his treatment of subjects.
Related paintings
The National Gallery, Trafalgar Square, London WC2N 5DN