Alessandro Bonvicino (called Moretto) was, with
Romanino, the leading painter of Brescia in the early 16th century, when the town became part of the Venetian empire. Moretto's work was strongly influenced by
Giorgione and
Titian, and he may have trained in Titian's studio, though he retained much of the
naturalism associated with painting in Lombardy in the 16th century.
The majority of Moretto's paintings are large-scale canvases painted for religious foundations in and around Brescia. Portraits by him are rarer, though he excelled in portraiture, passing on his skills to his most famous pupil,
Moroni.