Giovanni Antonio Canal, known as Canaletto, was born in Venice, the son of a theatrical scene painter. He was very influential, famed for his precisely depicted and evocative views of the city (vedute). Canaletto's early pictures for local patrons are his most accomplished: these carefully designed, individual, and atmospheric studies include 'The Stonemason's Yard'.
He found that providing formulaic paintings for tourists was very lucrative. These, still highly skilled works, were produced by him often in collaboration with an organised workshop. They usually record the lavish Venetian public ceremonies, as in 'Regatta on the Grand Canal'.
Canaletto was favoured by English collectors. He visited England repeatedly between 1746-56, painting works like 'Eton College'. His most important assistant was his nephew Bellotto, who became an accomplished artist. Canaletto often made meticulous preparatory drawings. He may have used a camera obscura for topographical accuracy in creating some of his designs, but he always remained concerned with satisfying compositional design, not simply slavishly recording views.
Canaletto
1697 - 1768
Paintings by Canaletto
(Showing 6 of 17 works)
We have a magnificent view of the Grand Canal in Venice during the annual regatta, which was held on 2 February and attracted large numbers of visitors each year. All eyes are on the one-oared gondolas racing up the middle of the canal. Just right of centre two craft swing around the bend, tilted...
This view is from the bank of the River Thames, looking across a sprawling meadow towards Eton College on the horizon. A shady glade gives way to a softly lit landscape, with folk enjoying the summer’s day – a family group are picnicking while other people fish and boat nearby. A finely painted t...
Not on display
This painting shows the inside of the famous rotunda (demolished in 1805) at Ranelagh Gardens in Chelsea. Ranelegh opened in 1742 as one of London’s most prestigious pleasure gardens, and its main attraction was this vast circular building in which fashionable society could attend balls and liste...
Not on display
This intimate view of Venice, weatherbeaten and dilapidated, is one of Canaletto’s masterpieces. In the early morning sun, workmen chisel away at pieces of stone. Everyday life continues around them: a mother rushes to comfort her crying child, watched by a woman on the balcony above.This square...
This exhilarating scene shows the annual regatta (boat race) along Venice’s Grand Canal, and Canaletto has successfully captured the crowd’s excitement as the competitors skilfully manoeuvre their craft up the canal. Although many of the figures in the foreground have their backs to us, we still...
Not on display
Gondolas glide across the water, passing fishing boats which direct our gaze towards the mouth of the Cannaregio Canal, Venice’s largest waterway after the Grand Canal.The Ponte delle Guglie (‘bridge of the obelisks’) spans the water. We can just make out the tiny silhouettes of people crossing i...
Not on display
This work is almost a portrait of a building: the imposing facade of the Palazzo Grimani fills nearly the entire composition. Boatmen emerge from the left and right just in front of us, adding a sense of movement, while figures composed of dots and daubs of paint stand on the palace’s steps.Palaz...
Not on display
This small picture shows the great Piazza San Marco – the most famous square in Venice. We look through an archway, stood in the shadows just behind a group of figures; it is as if we are walking past them along the colonnade. A vendor surrounded by baskets shows his wares to two gentlemen. A man...
People are hard at work on boats beside the small island of San Pietro in Castello, the eastern part of Venice. While the nearby district of San Marco was popular with tourists, as it is today, this quieter corner of the city was largely a working-class neighbourhood. Its residents sailed between...
Not on display
Looking across the basin of San Marco, this vast view captures the scale and splendour of a ceremony taking place along the waterfront. Boats carrying spectators and animated gondoliers surround the gold and red state barge or Bucintoro, its upper deck crowded with figures. Every year on Ascensio...
Beneath a sky of swirling cloud and warm sunlight, we take in a view of the Doge’s Palace, one of the best-known buildings in Venice. It overlooks a promenade known as the Riva degli Schiavoni and the basin of San Marco.Canaletto has given the scene a sense of tranquillity and calm. In the foregr...
A crowd watches as state dignitaries and foreign ambassadors emerge from the church of San Rocco on the right of this painting. They have just attended a mass in honour of Saint Roch as part of the saint’s feast day, which was held in Venice every year on 16 August to celebrate his role in bringi...
Canaletto’s sweeping view takes in everyday life on the Grand Canal. A stout helmsman stands aboard a finely decorated passenger barge to the left, while fishermen draw their nets in the centre. A boat carrying two women seems about to collide with one of the fishing vessels.Across the canal to t...
We see the Piazza San Marco from just inside the colonnade of the Procuratie Nuove, which housed the procurators (or caretakers) of San Marco. Although painting one of Venice’s most famous sights, Canaletto took liberties with the architecture to create a dramatic composition, enlarging the size...
Follower of Canaletto
We look across the Grand Canal towards the facade of the domed church of San Simeone Piccolo, completed in 1738 – it dwarfs the surrounding houses and a small workmen’s hut to the left. People potter along the quayside and climb the church’s steps to take a closer look. On the canal, several gond...
Not on display
Follower of Canaletto
Antonio Visentini engraved 38 paintings by Canaletto in his celebrated Urbis Venetiarum Prospectus, published in 1742 – this popular view was one of them. The collection of prints increased the artist’s fame and spread his work across Europe. This composition was widely reproduced in Canaletto’s...
Not on display
Studio of Canaletto
This view is of the Piazzetta, an area between the Piazza San Marco and the waterfront (known as the Molo). Elegantly dressed Venetians and foreign visitors – like the trio at the bottom right – mill around the square, while government officials in black robes emerge from the Doge’s Palace.Beyond...
Not on display
You've viewed 6 of 17 paintings