Room 37
Luca Giordano
Paintings in this room
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery’s collection, and this one represents one of the four Cardinal Virtues. First identifie...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. First identif...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–5. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. Fi...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery's collection, and this one represents one of the four Cardinal Virtues. First identif...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in 1682–85. Ten of the modelli are in the National Gallery’s collection, and this one corresponds to the group in the centre of the ceiling of the...
This modello, or detailed oil study, is one of a group of 12 that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–85. This scene corresponds to that painted on one of the two short walls, above the entrance to the grand Galleria.It shows Mi...
This modello, or detailed oil study, is one of a group of twelve that Giordano made in preparation for the ceiling frescoes in the Palazzo Medici Riccardi in Florence in 1682–5. This scene corresponds to that painted on one of the two short ends of the grand Galleria, in which Giordano presents a...