Born in Molfetta, near Bari, Giaquinto trained in Naples and was influenced by the work of Neapolitan painters Luca Giordano and Francesco Solimena. In 1727 he left Naples for Rome, where his style became increasingly classicising. Once his reputation was established, Giaquinto was invited twice to the Savoy court in Turin (in 1733 and 1735–9). In 1740 he became a member of the Academy of Saint Luke in Rome and, having set up a studio, he undertook a number of large decorative schemes. In 1753 Giaquinto was summoned by the king of Spain, Ferdinand VI, to Madrid where he succeeded Jacopo Amigoni (1680/2–1752) as court painter. Giaquinto’s most significant commission in Madrid was the fresco decoration of the recently-built Royal Palace. In 1762, after nine years at the Spanish court, Giaquinto moved back to Naples where he continued working for the Spanish monarchy until his death.
Corrado Giaquinto
1703 - 1766
Paintings by Corrado Giaquinto
This preparatory sketch for a ceiling shows a sky with classical figures arranged on clouds. At the top is Jupiter – the chief deity – holding a crown and accompanied by an eagle clutching a thunderbolt (his attributes). Beside him is Juno, his wife. Below them to the left are Venus and Cupid, an...
Not on display
According to the Old Testament Book of Exodus, the Israelites and their flock were thirsty after failing to find water during their long journey through Egypt. God instructed Moses to stand in front of the people with the elders of Israel and strike the rock of Horeb with his staff. A fresh strea...
Not on display
According to the Old Testament Book of Numbers the Israelites, tired of walking through the desert in search of the Promised Land, criticised both Moses (their leader) and God. God punished them by sending a plague of venomous snakes to bite them, causing the death of many. When the Israelites re...
Not on display