Lorenzo Costa was a Ferrarese painter who worked in Bologna before succeeding Mantegna as the principal painter at the Gonzaga court at Mantua. He produced a number of ambitious altarpieces. He was also a gifted portrait painter, and additionally executed genre works such as the National Gallery's unusual Concert.
Costa was influenced, if not trained, by Ercole de' Roberti, the leading Ferrarese painter, with Tura, of the later 15th century. By 1483 Costa had probably settled in Bologna, where he worked until 1506, with visits to Ferrara (one in 1499) and Rome (1503). He moved to Mantua in 1507, the year following Mantegna's death, and remained there for the rest of his life.
The most ambitious of Costa's works are the altarpieces executed for churches in Bologna, including his earliest dated work, the Bentivoglio altarpiece of 1488. Later works, like the altarpiece in the Gallery, 'The Virgin and Child with Saints', suggest the influence of Francia and Perugino.
Lorenzo Costa
1460 - 1535
Paintings by Lorenzo Costa
(Showing 6 of 10 works)
With this painting, Costa invented a type of image that would become very popular in northern Italy, particularly Venice, in the sixteenth century. The band of singers is engrossed in the camaraderie of their music; as she sings, the young woman keeps time by tapping her fingers against the marbl...
The man in this portrait appears to have just turned away from the darkness surrounding him to take a look at us. His lips are slightly parted as though he might speak.An inscription on the back of the panel names him as Battista Fiera, doctor at the court of Mantua as well as a poet, though we c...
Saint John the Baptist sits on a stone ledge, his attribute of a reed cross leaning against his shoulder. John was a hermit and prophet who lived in the wilderness, baptising people in the river Jordan and preaching repentance of sins. The scroll in his right hand bears a Latin inscription: ECCE...
Not on display
Saint John the Evangelist is seated on a stone ledge. He holds a very fine quill in his right hand, while the other rests on a blank scroll which curls over his knee. He turns to look up over his shoulder towards a heavenly light, as if ready to take dictation from on high. Saint John was one of...
Not on display
This balding, grey-bearded saint can be identified as Saint Peter by the keys which he rests on his thigh and supports with his right hand. These are the keys to the kingdom of heaven, which Christ gave Peter as a symbol of his spiritual power. The keys themselves are unusually slender and elonga...
Not on display
A bearded Saint Philip stands in a landscape, immersed in a book. A slender cross rests against his shoulder, with another cross attached to it where Christ’s crucified body would have been hung, a reference to Philip’s martyrdom (he was crucified upside down).This painting was originally part of...
Not on display
This extraordinary painting is a unique depiction of the Adoration of the Shepherds. The Virgin Mary, Joseph and two shepherds cluster round the infant Christ; the ox and the donkey peer out of the darkness behind them. They are not, however, in a stable in Bethlehem, but gathered in front of a v...
Not on display
These five paintings were once part of a large multi-panel altarpiece, or polyptych, made for the high altar of the Oratory of S. Pietro in Vincoli, Faenza. It was originally topped by a horizontal panel, now lost, showing the dead Christ supported by angels.Although the altarpiece has been disme...
Not on display
This painting of the Virgin and Child enthroned was once the central element of a large multi-panelled altarpiece made for the oratory of S. Pietro in Vincoli, Faenza. In it, heaven and earth mingle. The Virgin is depicted as Queen of Heaven, although she has no crown: behind her is a green silk...
Not on display
Lorenzo Costa with collaborators
The Virgin Mary and Christ Child are seated on a marble throne, which is elevated by two plinths decorated with biblical scenes. Below them stand two saints, Saint John the Baptist and probably Saint George in armour.A number of changes suggest that the altarpiece was painted in more than one sta...
Not on display
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