Skip to main content

Lorenzo Costa, 'Saint Peter', 1505

About the work

Overview

This balding, grey-bearded saint can be identified as Saint Peter by the keys which he rests on his thigh and supports with his right hand. These are the keys to the kingdom of heaven, which Christ gave Peter as a symbol of his spiritual power. The keys themselves are unusually slender and elongated, just as the saint is younger, slighter and taller than he is often shown. He looks out at the viewer and raises his left hand in blessing.

This painting was originally part of a large, multi-panelled altarpiece which Costa painted for the oratory of S. Pietro in Vincoli, Faenza. As the patron saint of the oratory, Peter was placed in the most prominent position, on the right-hand side of the Virgin and Child, with Saint Philip on the far side. The stepped architecture and landscape continues across all three panels.

Key facts

Details

Full title
Saint Peter
Artist
Lorenzo Costa
Artist dates
1460 - 1535
Date made
1505
Medium and support
oil, originally on wood, transferred to canvas
Dimensions
109.8 × 57.1 cm
Inscription summary
Signed; Dated and inscribed
Acquisition credit
Bought, 1859
Inventory number
NG629.2
Location
Not on display
Collection
Main Collection

About this record

If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.

Images

About the group: The High Altarpiece from San Pietro in Vincoli, Faenza

Overview

These five paintings were once part of a large multi-panel altarpiece, or polyptych, made for the high altar of the Oratory of S. Pietro in Vincoli, Faenza. It was originally topped by a horizontal panel, now lost, showing the dead Christ supported by angels.

Although the altarpiece has been dismembered and its original frame – an important part of the ensemble – is lost, we can tell how it would have been arranged by comparison with existing polyptychs and designs for them, and from the paintings themselves. The Virgin and Child evidently appeared in an arched niche: the dark curved areas to either side of the Virgin’s head would have been covered by the frame. They were flanked by Saints Peter and Philip in the lower register, with Saints John the Evangelist and John the Baptist above.

Lorenzo Costa has signed and dated the central panel in Latin, making it look like an inscription at the top of the door frame: LAURENTIUS COSTA F[ECIT] 1505.

Works in the group

This painting of the Virgin and Child enthroned was once the central element of a large multi-panelled altarpiece made for the oratory of S. Pietro in Vincoli, Faenza. In it, heaven and earth mingle. The Virgin is depicted as Queen of Heaven, although she has no crown: behind her is a green silk...
Not on display
This balding, grey-bearded saint can be identified as Saint Peter by the keys which he rests on his thigh and supports with his right hand. These are the keys to the kingdom of heaven, which Christ gave Peter as a symbol of his spiritual power. The keys themselves are unusually slender and elonga...
Not on display
A bearded Saint Philip stands in a landscape, immersed in a book. A slender cross rests against his shoulder, with another cross attached to it where Christ’s crucified body would have been hung, a reference to Philip’s martyrdom (he was crucified upside down).This painting was originally part of...
Not on display
Saint John the Evangelist is seated on a stone ledge. He holds a very fine quill in his right hand, while the other rests on a blank scroll which curls over his knee. He turns to look up over his shoulder towards a heavenly light, as if ready to take dictation from on high. Saint John was one of...
Not on display
Saint John the Baptist sits on a stone ledge, his attribute of a reed cross leaning against his shoulder. John was a hermit and prophet who lived in the wilderness, baptising people in the river Jordan and preaching repentance of sins. The scroll in his right hand bears a Latin inscription: ECCE...
Not on display