Style of Salvator Rosa, 'Tobias and the Angel', 17th century
About the work
Overview
In the apocryphal Book of Tobit, Tobias travels to the city of Media to collect a debt for his blind father, Tobit, accompanied by the Archangel Raphael. When Tobias stops beside the river Tigris, a fish tries to devour him. Raphael directs him to remove the fish’s heart, liver and gall bladder; these will later restore his father’s sight.
In this picture, the angel and Tobias are dwarfed by a wild and desolate landscape. They are framed by huge pieces of stone and a rocky grotto to the right and splintered trees to the left. The appearance of this picture has changed significantly over time as the varnish has darkened and turned yellow. The vast composition (it’s a little over 2 metres high by 3 metres wide) was painted by an anonymous artist in the style of Salvator Rosa, whose Landscape with Tobias and the Angel is in the National Gallery’s collection.
Key facts
Details
- Full title
- Tobias and the Angel
- Artist
- Style of Salvator Rosa
- Artist dates
- 1615 - 1673
- Date made
- 17th century
- Medium and support
- oil on canvas
- Dimensions
- 236.7 × 339.3 cm
- Acquisition credit
- Wynn Ellis Bequest, 1870
- Inventory number
- NG811
- Location
- Not on display
- Collection
- Main Collection
- Previous owners
Provenance
Additional information
Text extracted from the ‘Provenance’ section of the catalogue entry in Michael Levey, ‘National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools’, London 1986; for further information, see the full catalogue entry.
Bibliography
-
1986Levey, Michael, National Gallery Catalogues: The Seventeenth and Eighteenth Century Italian Schools, London 1986
-
2001
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
About this record
If you know more about this painting or have spotted an error, please contact us. Please note that exhibition histories are listed from 2009 onwards. Bibliographies may not be complete; more comprehensive information is available in the National Gallery Library.