Torrential rain in autumn 1896 caused extensive flooding near Monet’s home in Giverny. The river Epte, a tributary of the Seine, burst its banks and overflowed into the meadow next to Monet’s garden.
Obliged to remain close to home, Monet painted the view of the waterlogged landscape that he saw in front of him, including the row of pollarded willows that stood on the edge of the meadow. The tree branches are brushed in with fine, rapid strokes and fluid sweeps of soft colour in the sky and the water reveal his interest in atmospheric harmony. The picture appears to be unfinished, and may have been painted on the spot. The canvas has been left bare in areas at the top and bottom, adding to the impression that it is a quickly made sketch. It may be a study for another picture, perhaps painted in the studio, now in a private collection in Switzerland.
Text extracted from the ‘Provenance’ section of the catalogue entry in Martin Davies, with additions and some revisions by Cecil Gould, ‘National Gallery Catalogues: French School: Early 19th Century, Impressionists, Post-Impressionists, etc.’, London 1970; for further information, see the full catalogue entry.
C. Baker and T. Henry, The National Gallery: Complete Illustrated Catalogue, London 2001
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